Perfect Wife

Jose L. Alvarado English 61 K, Dahi June 22, 2009 The Perfect Wife My wife would have to take care of the children when I’m not around. I don’t have children right now, but I’m planning on having two kids. That’s why I would want that characteristic on my wife. Being faithful to your partner is a major role on a relationship especially if you’re planning on marring him or her. Not cheating on your wife or husband is going to bring trust to one another. Another characteristic I want my wife to have is a good sense of humor. Someone I could share jokes with and will laugh along with me instead of at me. People say laughter is the best thing in life and I agree. A relationship without laughter would be boring and pointless. Now the most important characteristic I want on my wife would be for her to be well educated and attractive. I want a wife I could hold a good conversation about the most random thing and for it to be interesting or at least for her to be smarter than me. Being attractive is very important to me because I have noticed that attractive people seem to be more successful in life, they’re the ones that get promotions or invitations to the bosses house for dinner. Those are some of the characteristics I would want on my wife. Some of the characteristics I believe my wife would want from me would be to get along with her family and relatives. She would want this because families stick together and since I’m going to be part of the family I would have to get along with them. Probably the most important characteristic my wife would want from me would be to be reasonable with the work that needs to be done around the house. Do everything in a 5050 basis. My wife wouldn’t like to be the only one that has to mop, wash dishes, dust off the cabinets and clean the restroom. We would have to share those chores. My wife would also want to have the same religious beliefs, because I know how much a girl cares about getting married by the church with a white dress. The girls plan the weeding even before they’re engage. I know for a fact my wife is going to want me to be economically stable. She would want this because in case of an emergency I would have to come out and pay the bills. The characteristics both my wife and I would have in common would be for us to be gentlemen or lady in the streets, but a freak in the sheets. I think matrimony in order to work there must be chemistry in bed. I find it hard to believe that some people wait till they are married to have sex due to their religion. Another characteristic we would have in common would be the foods we eat. My wife or I wouldn’t like to cook two totally different plates everyday for the rest of our lives. The same taste of music would be one characteristic because how would we be able to dance to music we don’t like. It would be like living a lie. Overall I think looks, personality and money will make a wife or husband likeable. Those would be the top three characteristics a man or woman looks for in a partner. Like I said before no one in this world is perfect, so for them guys and girls waiting for the perfect spouse all I got to say is good luck.

Art of the Western World Essay

The chosen work is a statue of Dionysos leaning on a female figure. This is a Roman copy of the original 4th century B. C. Greek statue. The statue is entitled â€Å"Hope Dionysos† after its former owner, Thomas Philip Hope. It was a Gift of The Frederick W. Richmond Foundation. The original statue was made of bronze and it is not certain if the woman was included. It is believed that it may have been added to the Roman copy for support. The artist depicts Dionysos, god of wine and divine intoxication. This statue stands at 82   inches and is made of marble. Its composition is arranged in a compact matter, with much 3-D texture in the body and intricate attention to detail. Dionysos is standing in contrapposto, which is a prevalent technique in Ancient Greek sculpture to achieve a life-like representation of the human body through the shifting of weight. He has massive limbs, with calves that are very muscular and large in comparison to the rest of his body. The arms are also very large and the forearms, very muscular. His fingers are thick and slightly bent attempting to make fists. This exaggeration of the large size and contour detail of Dionysos’ body represents his high power and great strength. Dionysos posses idealized features, providing evidence of a god. It is apparent that the statue is essentially of the period of Classical Greece, but contains evidence of Rome through the use of clothing. This blend of culture portrays the strong relationship between the artwork of Greece and Rome. The ideal statues of Greece were essentially nude and created to display mans intention to be strong in nature. Even clothed, this intention to recognize strength is achieved. The representation of strength is supported essentially through his clothing. Dionysos wears the skin of a panther around his upper body. The head is tied around his waist and the paw hangs over his right shoulder. He is not holding a weapon, which represents the ability to overcome even the most dangerous animal simply with his own power. Under the animal skin, Dionysos wears a fluted chiton. This is a form of clothing worn during the time of Ancient Greece. On his feet, high laced sandals are worn. This is evidence that Dionysos is a god in the body of a man, with features that can far surpass any man. The clothing worn is of the time period of Ancient Greece but is Roman in style as it is depicted in the sculpture. The head of Dionysos is somewhat smaller in scale compared to the rest of his body. It can be seen that the head is from another statue through the seam located on the neck. His face is very smooth with few contour lines and he is appearing to be gazing downward. Dionysos further portrays idealized qualities through his long hair that cascades onto his shoulders in curls. He also wears a crown of ivy leaves on his head which is worn by Olympians. The use of the leaves represents Dionysos’ athleticism and reference to Greek culture. Dionysos is seen leaning on an archaistic female figure that is suspected to have been added for structural support. In The archaistic maiden represents Spes, who is the personification of hope. This is ironic due to the name of the statue, Hope Dionysos. The female is much smaller in size than Dionysos, which provides evidence to the use of hierarchy of scale in Ancient Greek sculpture. Even when standing on a block of stone, the woman is much smaller, indicating that women are of less power than man. Despite this concept, the female appears to be the guiding force of Dionysos, possessing some underlying control over his actions and personality. The reference of her purpose to support can extend to an emotional and psychological level. It is as if she is a protector of him and her external projection of purity is depicted in his demeanor. The female is firmly grasping a single flower in one hand, which may represent her virginity and expression of purity that will not be tainted. This can also be related to the representation of Spes, who is usually depicted holding a flower. Hope is present in the flower and is the source of the female’s divine wisdom. The female’s other hand is holding up her dress to expose her bare feet. Wearing sandals in Roman art indicates becoming a part of the human world, yet the female is not wearing any sandals. This illustrates that the she is the divine power possessed by Dionysos as a god. Her dress can reveal some shape to her body, but she is standing very rigid and upright compared to the stance of Dionysos. This confirms that the female figure is of an earlier time period in Ancient Greece than the statue of Dionysos. This idea contributes to her value of wisdom achieved through her experience. Indication of the varying time periods of the figures is found in their hairstyles, as the female wears a bonnet and tight spiral curls. She also possesses a rounded face and displays the Archaic smile. The statues are connected as the fluted drapery of Dionysos’ toga drapes over the head of the female with his arm extending outward. His hand is raised and clenched as if he could be holding a glass about to give a toast. This idea can be supported because Dionysos is god of wine and divine intoxication; therefore it would be appropriate for him to be personified holding a glass of wine. He may be giving a toast based on the idea of hope for man to be strong during a time of rebuilding in Ancient Greece. These figures together make a statement to display the power of the world of Ancient Greece achieved through belief in the gods. This statue gives viewers a unique perspective on the power of the gods by providing an explanation as to how Dionysos achieved his divinity. His association with the personification of hope is portrayed in the work both physically and spiritually. Association with the gods played active role in the society of Ancient Greece and consumed the artwork of this time.

The Ethical Questions Surrounding Vegetarianism Essay

The Ethical Questions Surrounding Vegetarianism - Essay Example Some choose the vegetarian lifestyle for religious reasons as they find it wrong to eat the flesh of animals. But for many, the decision to adhere to a vegetarian diet comes down not to a matter of nutrition, but a question of ethics. Vegetarians often cite their love for animals as a reason to reject a meat-eating lifestyle, claiming that slaughtering animals for the purposes of consumption is morally objectionable. Still others argue that meat consumption contributes to environmental issues such as pollution, deforestation, and the exploitation of natural resources in the interests of raising feed crops as opposed to more sustainable crops. Whatever the reason, the ethical dilemmas surrounding vegetarianism continue to foster debate among people who wholeheartedly embrace a meat-eating diet and those who condemn the consumption of meat as being morally and ecologically detrimental. It is important to note that there are several levels of vegetarianism by which one can decide to liv e. The catch-all term â€Å"Vegetarian† indicates that a person’s diet does not include the flesh of animals, but the label does allow that animal by-products, such as gelatin, dairy foods, and eggs, can be consumed. Within the vegetarian label, there are several sub-categories. â€Å"Lacto-ovo† (or â€Å"ovo-lacto†) vegetarians eat dairy and eggs, while â€Å"ovo-vegetarians† do not eat dairy, and â€Å"lacto-vegetarians† eschew eggs. There is even a category of dieters referred to as â€Å"pescetarians,† who consume fish and other seafood but no other meats (though many vegetarians do not consider pescetarianism to be â€Å"true† vegetarianism). â€Å"Vegan† is the one of the strictest forms of vegetarianism, as adherents do not eat meat or any animal by-product—this includes the aforementioned dairy and egg products, but also includes any animal-produced food such as honey. But there are offshoots of veganism t hat are even stricter: fruitarians, for example, only eat fruits, seeds, and nuts in an effort to avoid harming plant life, and su vegetarianism not only prohibits the consumption of animal products, but also forbids the eating of all varieties of onion and garlic—essentially, any vegetable that produces an odor. The decision about which path of vegetarianism an individual may take depends on several factors, including concerns about health and weight-related issues and religious beliefs—for example, su vegetarianism is synonymous in many parts of the world with the Buddhist faith. But arguably the greatest influences on a person’s decision to â€Å"go veggie† are questions of morality and ethical behavior. The predominant motivation for many vegetarians is the preservation of animal life. Many vegetarians believe that killing animals for the purpose of eating them is wrong, because animals are living creatures and should be afforded the same right to liv e as human beings. As David DeGrazia states, â€Å"[A]nimals are not mere resources for our use, playthings for our amusement, or even practicing grounds for good behavior towards other humans. They count for something in their own right† (148). Because animals have this â€Å"moral status† in our world, DeGrazia argues, â€Å"it’s wrong to cause extensive, unnecessary harm† to them (149). Abuse of animals is a hot-button topic. Whenever dogs or cats are shown in the aftermath of severe abuse, the public outcry can be deafening, with hundreds of people condemning the abusers while volunteering to shelter the defenseless animal. Yet there is generally not a similar outcry when it comes to the slaughter of animals for meat consumption, because many

Personality Analyiss Essay Example | Topics and Well Written Essays - 3750 words

Personality Analyiss - Essay Example There are also some, who regard personality as a diamond consisting of diverse facets of behavior and belief. Still there are others who argue that the whole notion of personality is wrong headed – a comfortable fiction rather than a scientific fact. Usually in this view, personality is often influenced by the immediate circumstances rather by the social interactions, that is, personality remains consistent due to the environmental factors that also remain unchanged. Significantly, personality has been postulated and analyzed by a number of experts in the field of behavioral science, and as a result, a number of theories elaborating the nature and rationale have emerged, thereby providing a wide area for interpretation and further research. This essay presents an analysis of a fictional character from a popular television series entitled, CSI. The character of Gil Grissom is the main subject of this study in the aim to dissect and point out certain specific traits and explain them according to the theories advanced by several personality psychologists more particularly of Howard S. Friedman and Miriam W. Schustac. The succeeding paragraph will also present arguments that will validate the presence of these theories in the chosen fictional character to establish a solid ground for conclusion. At the age of 22, Gill Grissom became the youngest coroner in LA County. He was recruited to run the field service office in Las Vegas where he spent 17 years elevating the status of the Vegas laboratory into the second most efficient crime lab in the United States. Earning a biology degree from UCLA, Grissom worked as a night shift supervisor of the Las Vegas Crime Unit. Being a forensic entomologist and a CSI level three, he was knows as the ‘bug man’ amongst his colleagues which was originally composed of Catherine Willows, Nick Stokes, Warrick Brown and Sarah Sidle in the first few seasons. Eventually

Individual Reflective Report Essay Example | Topics and Well Written Essays - 1000 words

Individual Reflective Report - Essay Example The report refers to areas the group performed very well while others it required to improve. The plan has ensured that the location and date are secured. In the plan, the venue for the event has been established at the University of Greenwich Council Room. The place has extra benefits it can host all the participants and provide for an allowance for additional participants. The room has also been booked to avoid inconvenience when the event starts. The date has also been set to be held on 10 June 2014, and the event runs from 2-7pm. In addition, all speakers have been contacted to confirm availability. The planners have also obtained catering and accommodation facilities to the participants, who are fifty. The plan has also ensured that there is flexibility in increase in the number of participants and allocated an additional budget of ten people (Bramwell, 1997, p.67), (Allen, 2009, p.180). The plan has also detailed on who is responsible for the budget as GOPIO and the stakeholders. It has established the site of potential expenditure and income, and then they created a framework to monitor the budget. A control mechanism was set maximize revenue but minimize costs. The selection of members was done according to abilities and competence on managing and planning (Ash and Dabija, 2000, p.35). The group initially comprised of inexperienced people that inconvenienced the event planning because the event is large and was a high profile event that required high expertise in planning. However, a selection of experienced group members was made to allow easier planning and members had to resolve their differences in order to continue with the work (Abbott and Geddie, 2000, p.77). In the planning committee, the members acknowledge the importance of unity in the process. A disunited planning committee has conflicts that may lead to the process to collapse (Shone and Parry, 2004, p.7). Group members learn to listen, understand each other, and respect the

Experience when work was criticized Essay Example | Topics and Well Written Essays - 750 words

Experience when work was criticized - Essay Example The specific incident involved a creative story that I had written. The story was a work of fiction and it involved an experimental form of structure and language. My intention with the story was to attempt to develop new ways of advancing the story. In these regards, the structure of the story was greatly influenced by movies such as Memento and Inception, in that the narrative didn’t advance in a strictly straightforward way, but instead jumped throughout different time periods. In addition to the story implementing experimental story structure, at times it also implemented experimental language; in these regards the story was influenced by books, such as 1984 and a Clockwork Orange because these books also used invented words and different text. While I recognized that in implementing these methods, the story would potentially be made more difficult to read, I felt they were necessary to add a touch of originality and fresh perspective to my work. However, when I had a numb er of individuals read the story many reacted negatively indicating they did not like the experimental elements incorporated into the story. My reaction to the negative criticism of my story was complex. Initially I resented the criticism I received from these individuals and began to think that they didn’t appreciate what I was attempting to accomplish with my writing. I began to believe that if the people who criticized the story had spent more time trying to read it then they would have understood it to a greater extent.

The Health Systems Issues and Managements Research Paper - 1

The Health Systems Issues and Managements - Research Paper Example Developing countries are the worst hit with this problem. Most of them face challenges such as lack of enough health worker, little financing, poorly functioning information systems and lack of coordination between various agencies. The existence of these challenges in the health systems has been majorly blamed on their management. The managers have failed to tap the available resources and effectively use their management skills in planning and implementing interventions that reach all citizens. This paper identifies and analyses issues (challenges) that face the health systems and gives proposed strategies to be used in managing them. Developed countries such as the United States do not face serious challenges in their health systems as much as the developing countries. However, their health care concerns revolve around three major issues. These issues include cost, quality and access (Andersen, Rice and Kominski, 2007). In the United States of America, the cost of health care is v ery high and has become a leading issue for healthcare mangers. Since the United States moved from heavy-handed managed care, expenditures have quickly increased, and the number of people who are not insured has also increased. In fact, it is estimated that about forty seven million US citizens are not insured (AFL-CIO, 2011). In addition, the population that continues to increase every year has put a lot of pressure on Medicare. The crisis in state budget has forced nearly all states to make serious cutbacks in programs aimed at assisting the poor. These cutbacks have put America’s health care system in crisis since medical health care spending and the number of uninsured people in the country has increased (Trouth, Wagner, and Barrow, 2010). The rising cost of health care services in the United States has attracted a lot of concerns and featured in the news a lot. A large portion of the country’s resources is being spent on health care. The spending is not expected t o go down soon but is predicted to reach 21 percent of the GDP by 2016. With this high spending on healthcare, most US citizens are still not able to access quality healthcare. Over 46 million Americans are currently uninsured even though America’s expenditure on healthcare is the highest globally (Farrell, 2009). Healthcare accounts for more than USD 2 trillion in the United States annual expenditure. While this is the largest economic sector of the country, millions of citizens are not able to take care of their health needs and the situation is getting worse (Farrell, 2009). For the past nine years, insurance premiums have increased therby making health insurance unaffordable to many US citizens. The rapidly increasing medical bills are continuing to leave families in debt. In fact, according to the organization Health Care For All –California, about one-half of all personal bankruptcies are due to medical bills. With this huge number of uninsured individuals unable to access quality healthcare and costs continuing to increase, the healthcare system of United States of America seems to be collapsing. The healthcare system of the United States of America is financed by premiums paid for health insurance or from government programs such as Medicaid and Medicare. The high numbers of people who are not insured in the country significantly increase the cost of healthcare. This is because health problems that

The American Workforce Essay Example | Topics and Well Written Essays - 3000 words

The American Workforce - Essay Example The purpose of the study is to examine the correlation between age and job satisfaction among social workers in the Plainfield, Illinois School District 202.   Te correlation between age and job satisfaction shall be analysed in relation to a number of independent variables such as gender and ethnicity.     Notwithstanding the primary focus on age, other determinants of job satisfaction, such as pay, fringe benefits promotion opportunities and workload shall be looked at. The dissertation shall focus on the effect of age on job satisfaction among Illinois social workers, for determination of whether or not there exists a correlation between age and job satisfaction levels.   For the purposes of the proposed study, the research question is, â€Å"is there a correlation between job satisfaction and age among Illinois social workers, and does either gender or ethnicity interact with age to influence job satisfaction levels?†   The hypothesis for this study is, â€Å"there is no correlation between age and job satisfaction among social workers consequent to the fact that are no perceptible ageist practices in this particular work environment and, indeed, there is a marked tendency towards the greater appreciation of older social workers as age denotes experience.†Ã‚  The proposed study seeks the determination of whether or not there exists a correlation between age and social worker job satisfaction levels.   This is, in itself, a sign ificant aim for two reasons.  ... Despite a general recognition of the negative consequences of ageism, age discrimination is a risking problem in the American workplace. Mitchell (1993), Matcha (1997), Sicker (2002) and Smedley and Whitten (2006) concede that a wide array of societal factors incite ageism/age discrimination but the most important are the economic factors, especially those which hold that older workers are less productive and more costly to retain. In light of statistics forwarded by Dytchwald, Eriksson and Morrison (2006), the practice of ageism, as which would lead to a decrease in job satisfaction levels, hence motivation, is highly problematic. Figures for 2005 indicate that the older workforce has increased by 6.4 million over the past decade, two million individuals aged 50-74 are able to work and are seeking employment and that the number of men over the age of 50 who have decided to remain in the workforce has increased by 34% over the past decade (Dytchwald, Eriksson and Morrison, 2006). Apa rt from establishing the extent to which the American workforce has aged, the cited statistics are expressive of the magnitude of the problem which the economy faces should age be correlated to job satisfaction, on the one hand and should employees and co-workers exercise ageist practices as would negatively impact job satisfaction levels, on the other. Proceeding from within the framework of the above-stated, insofar as ageism is a predominant practice in the American workplace, and to the extent that the practice of ageism reduced job satisfaction levels, the consequences of both of the aforementioned shall be examined in relation to social workers (Goldberg, 2002). Purpose of the Study The purpose of the study is to examine the correlation between age and job

The Significance of Place Essay Example | Topics and Well Written Essays - 750 words

The Significance of Place - Essay Example sions this word can be confined to the description; ‘A portion of space with definite or indefinite boundaries’, it could be a room, an office, a house or a chapel. But being less cramped, when it comes to the classification of a ‘Place’ in human life, it means ‘a vital dwelling or locality which may or may not change the behavior and perspective of a person which occupies it’. Hence, it is about time that we acknowledge the significance of place in our lives and study how it matters to us even when unbridled commercialism is eliminating the consistency and liveliness out of architecture as the world becomes ignorant of its important and moves on towards technological development. We cannot steer clear of the magnitude of a place and the effects it has on the human beings that reside in it. People live in places that are poles apart from each other. Alain de Botton bears out, â€Å"Belief in the significance of architecture is premised on the notion that we are, for better or worse, different people in different places—and on the conviction that it is architecture’s task to render vivid to us who we might ideally be.† (13) This goes on to suggest that the importance of place varies for all of us. We are born in hospitals, we grow up in houses, we are educated in schools, we confess in churches, we get married in chapels and then we are buried in graveyards. These places, as infinitesimal they might seem, hold immense value in our lives as they take away a part of us with them as soon as we step in. At birth our first ever body scent is pierced into the walls of hospitals. As we grow up, our emotions and thoughts are embedded into the wall s of our houses. When it’s time for us to confess, our honesty is implanted into the corridor of the church. While we go through the educational phase, our hard work is plastered onto the boards of our class rooms and when it is time for us to get married, a part of our happiness is instilled onto the deep walls

Gothic novel Essay Example for Free

Gothic novel Essay The novel Jane Eyre by Charlotte Bronte has been categorised as both romantic and gothic by scholars and literary critics. The plot entails the exploration of a womans domestic trap, a common Victorian theme, with her subjection to patriarchal authority and her dangerous attempts to escape from such restrictions and the consequences. There is a mixture of mysterious events, moonlit natural environment, beautiful dream-like landscapes, enigmatic characters. Jane is represented as the heroine of the story, the virginal Christian female character. In opposition to her is the character of Bertha who is insane and is hidden in the attic of Thornfield Hall, representing Rochesters torment and his terrible secret. It can be argued that the plot has many entwined characteristics of both genres and it is very difficult to think of it as of one kind. The essay will discuss the way in which the novel accords with the characteristics of a romantic novel and a Gothic novel and evaluates whether it may be possible to assign it with one of the two labels. Romantic novels emphasize imagination and feeling, they focus on natures ability to free humans from societys judgments and limitations. English romance narrates exotic and unusual stories, they are concerned with chivalric deeds (as in the stories of King Arthur), recalling themes of romantic medieval literature. The latter results from a period in English history when society was in search for of order and the approach was that everything had to be explained rationally and scientifically, hence often being referred to as the Age of Reason. However, the romantics themes are in opposition to such a way of thinking and rebelled against such established norms and conventions. The characters in romantic novels place the self at the centre of his/her own existence, this is achieved by focusing on his/her thoughts rather than actions. The theme or romantic love as opposed to passionate love is explored too and the consequences the latter would bring. Another narrative style which emerged was the Gothic novel. The background setting has a dim and imposing mansion or castle, as a backdrop to the atmosphere of mystery and suspense, where the characters fears are explored beneath the surface of the enlightened psyche. Other features of a gothic tale is the presence of omens, portents and visions. There is usually a suffering, tormented woman who needs to be rescued from a controlling and lustful guardian, and in the process displays an array of extreme sentiments and reactions, such as swooning, crying and sorrow. She is usually often commanded to marry someone she does not love or commit some moral or actual crime. Supernatural events may be used to explain coincidences and many scenes evoke terror through the depiction of physical and psychological violence. So I would like to examine how Jane Eyre would seem to be typical of the romantic novel that was so popular in Victorian England, while at the same time having, in my opinion, all the ingredients for a gothic novel. The plot recalls a fairy tale when you came upon me last night I thought unaccountably of fairy tales; as Bronte writes in chapter 13. However, Bronte skilfully uses it as a frame, to give a clear picture of her great feminine consciousness, expressed in Jane Eyres persona. This is conveyed through the use of a first-person narration, that depicts the world around her and the others in relation to her and her point of view. In the romantic novel the individual stands at the centre of romantic fiction relating facts and experiences. In the following passage, Jane demonstrates her fervid romantic imagination, as she explains to Adele that she and Mr Rochester are going to get married and utters Here is a talisman will remove all difficulties; (chapter 24) Jane metaphorically evokes the theme of natural forces which come to her aid when she is most in need for comfort. The passage continues with, a fairy that held out a pretty gold ring.. and I am yours, and you are mine; and we shall leave earth and make our heaven yonder'(chapter 24). The latter depicts the traditions of dream and oral tales which was much loved by the romantics. However, these are also elements which can be found in Gothic novels, where enchantment and fear are closely related. There is much about Jane and Rochesters introspection, their belief in the supernatural, and conflicting emotions. Jane fights against the wicked spirits of Gateshead, Lowood, Thornfield, Manor Hall, and Marsh End at the end, these supernatural elements take the form of moral choices that force her into reflecting upon righteousness. For instance, the striking of the chestnut tree by lightening, under which Rochester had proposed to Jane (chapter 22), is a portent of their imminent separation and the dangers that lie ahead. It is a perfect Gothic symbol, as nature predicts human fate. Moreover, Bronte is able to convey and juxtapose different tones in the same passage, it can change from a playful and romantic tone to an enigmatic and harsh one. For instance, when Rochester is trying to convince Jane to dine with him and she refuses, his mood changes immediately . He is upset by her answer and asks Jane if she supposes whether he eats as an ogre or a ghoul (chapter 24). Here, Gothic elements are used metaphorically to convey the degenerating tone of such a conversation. Recalling the Bluebeard tales themes, which underlines the novel. The supernatural elements conceal emotions and have been used to symbolise the child which resides in all of us and comes out in moments of loss of consciousness and fear, and at the same time heightening the readers awareness of the fragility of the heroine/hero. As when Jane describes the red room, with its noises and mirrors, where she was secluded as a punishment, everything in the room becomes fearful to her eyes. The mere colour red conjures up images of blood and being locked in either literally or in a moral sense is an abhorrent idea to most (it recalls also the theme of trap) (chapter 2). Another important aspect of the novel is the exotic. Romantics, in their novels, often alluded to distant places. In the story, Rochester has a house in Spain, where he wishes to take Jane once married, considering it as a more relaxed country, colourful and sensual place. Before meeting Jane, Rochester had travelled around the world in search of a foreign wife (Chapter 27). Yet, Bronte condemns such behaviour and makes Rochester feel reckless with disappointment to the point he utters that I tried dissipation never debauchery: that I hated, and hate. That was my Messalinas attribute (Chapter 27). Jane rejects such exoticism and is not forming a very favourable opinion on him, he is perceived by her as an unfeeling, loose-principled rake. What Bronte is trying to emphasise is that if romantic love was to be perceived in such a superficial light as being just for sexual pleasure then it together with passion, would mean a loss of the self morally and ethically. Moreover, the idea of the character who travels towards unknown distant places, against wicked and unpredictable forces (these are represented by the several lovers he mentions, throughout his journey, and finally by Bertha, his insane wife segregated in the attic of Thornfield Hall). Thus, Gothic elements are used to create a sense of loss and psychological violence, just like what Mr. Rochester experienced throughout his journeys. Bronte demonstrates an attitude towards natural forces, which gravely offered help to such a reckless man. In fact, he was not able to fall in love with a womankind, but with a natural slender creature who is personified by Jane (Chapter 27). Thus, the novel entails many elements which are characteristic of fairy tales. Jane is repeatedly described as looking like a spirit, a tiny phantom, half fairy, half imp. . Such an association permits an author to use less words to express deeper ideas, by adding powerful images through an apt use of wondrous language. The imaginary is at the heart of both narrative genres, however under many aspects Gothicism emerges to create suspense and conveys the characters inner torments, such as the striking of the chestnut tree, the red room. These contrast with the romantic descriptions of the outdoor scenes, such as when Jane runs across the countryside, are nevertheless described in a vivid and detailed manner as if Jane Eyre were painting a realistic picture of the scene in all its shades. This imagery suggests her characters moral condition and state of mind, therefore the mood of the story is immediately conveyed. There are numerous symbolic references to weather and to the sky, in the form of storms, rain, clouds, and sun. At the very opening of the novel, Jane sets the scene by mentioning that the cold winter wind had brought with it clouds so sombre, and a rain so penetrating. There is a full moon on the night when Bertha attacks her brother, as there is on the night when Jane runs away from Thornfield. Nature is presented as the mother of all creatures, which connotes Janes romantic side and her fragility. The scenes that are a set for Rochester and Jane Eyres passion take place in natural surroundings. After their wedding is interrupted, the woods which twelve hours since waved leafy and fragrant/now spread, waste, wild and white as pine-forests in wintry Norway. Here, Bronte adds Gothic elements, which changes the mood to one of tormented state of mind, thus anticipating Janes future struggles. At the end, when reunited, Rochester tells Jane that I am no better than the old lightening-struck chestnut-tree in Thornfield orchard. The theme of nature seems to be treated in both a romantic as well as a gothic way, due to the atmosphere which at times evokes joyful and comforting images, while at other times horrific images and death. In chapter 35, the personification of the wind effectively suggests the way in which the mood can be created by nature. Bronte uses it as the means by which she received the message from Mr Rochester, in fact she follows it throughout the passage until she finds her way out of that situation. This manifestation of the voice perceived in her spirit and mind, and not externally, could be construed in a gothic light i. e. as a portent or a supernatural event. There is, however, a romantic and passionate image of the voice which contrasts with the Gothic setting. The passage I am coming! hush (chapter 37) is extremely descriptive with many adjectives dark, void and nouns such as loneliness and hush. The combination of this with short sentences creates an immediacy, dramatic impact and mystic atmosphere, characteristic of Gothic novels. In conclusion, by writing from an individual point of view, by creating characters who are possessed of strong feelings, fiery passions and some extraordinary personalities, by using some elements of horror and mystery, Jane Eyre is able to recreate life in a fantastic romantic way. The vividness of her subjective narration, especially the heroine who is contrary to the Victorians expectations, the presentation of the economical, social background of the time give her works a never dying popularity. The eerie atmosphere with supernatural associations can recall the characteristics of Gothic novels and are used in some way to justify what is inexplicable (as the voice of Mr. Rochester calling her or striking of the chestnut tree). All in all, I consider gothic as a subgenre of the romantic novel, both require drama and high emotional intensity which are elements that can be definitely found in Jane Eyre, one cannot exclude the other, it would be a great mistake to try and categorize such a masterpiece under one genre.

Ethnomusicology: Developments of Māori Music

Ethnomusicology: Developments of MÄ ori Music Music in Context A: Ethnomusicology Discuss some of the more recent social, cultural and technological developments that have informed studies in ethnomusicology Introduction For this essay I will be focusing on the MÄ ori people of New Zealand, and looking at the changes and developments in both their traditional music and that of their modern popular culture, much of which is adopted from American and European sources. I will include the work of several ethnomusicologists who have experience in the areas of MÄ ori music, modern New Zealand popular culture, and American rap music and its sphere of influence. The MÄ ori people Have had their own traditional songs since they first inhabited New Zealand. However, there have been changes to the cultural situation of the music and how it is received by both the white public and MÄ ori youth. In this essay I will focus on three points, the transcendence of MÄ ori traditional music, the changes made as a reaction to this and the influence of other modern genres and styles, specifically American rap, to discuss these changes and how they have informed ethnomusicology either positively or negatively. In doing so I hope to show that a vibrant musical continuum is working in New Zealand youth culture, informed by both their traditions and outside influences, and yet is making original new music because of this. Song loss and researching traditional music The MÄ ori have inhabited New Zealand since the 14th century when they arrived from other Pacific islands seeking new lands to migrate to and cultivate. It is hard for an ethnomusicologist to find or have found any songs surviving from the earliest parts of MÄ ori history, for several reasons. Firstly, as many MÄ ori songs are to do with traditions and practices, when those traditions or practices become obsolete or go out of use, then the songs will be lost with them.For example, when canoes started to be replaced with sail ships, all songs about canoeing were either lost, or modified to talk about sail ships instead. Secondly, because of superstitious beliefs, many songs have restricted performances, where only certain members of the tribe or community are allowed to attend and listen or join in. This also limits the number of MÄ ori who will learn theses songs, as they are taught purely by oral tradition. The teaching itself is a point of interest, as traditionally the folk songs of MÄ ori are taught in a very strict sense,as they are not meant to change organically or be re-interpreted, apart from if the community as a whole learns a new version in line with a new meaning, as with the canoe/sail ship example above. In most cases, the songs will be passed down through generations, preserved as accurately as possible, which would in fact make it easy for an ethnomusicologist to discover these antiques of folk song. However, these traditions were cut abruptly short by the intervention of European missionaries. The missionaries were accepted to a degree by MÄ ori curiosity, and arrived decades before the treaty of Waitangi in 1840,which signified the taking of New Zealand by the English under queen Victoria and the official surrender of the MÄ ori as a people (though conflict did continue for years). These missionaries took it upon themselves to educate the seemingly primitive MÄ ori tribes in every aspect of Christian and European ideals. This included their music, as the Europeans found their traditional folk chants ‘idolatrous, ‘indecent and even ‘lascivious.The missionaries set about their task quickly, so much so that by 1830, a letter sent from a missionary to his brother-in-law at home in England read; Quietness and good order has succeeded to their native wildness; we never hear anything of their songs or dances. In place of their traditional music, the missionaries taught them hymns and church music. In doing so, they also taught the rudiments of western music theory, which they encouraged the MÄ ori to adopt as their new musical language. This meant that many new MÄ ori songs were created, using traditional words and stories, but with diatonic harmonies that made them listenable and distinguishable to a European ear.Though this was widely acknowledged and followed through to the MÄ oris own teaching, some traditional songs were kept hidden and secreted in both MÄ ori text collections and those of curious westerners. One such was John McGregor, a guard of captured MÄ ori warriors held in a beached hulk at Auckland harbour. John ‘collected and later published a large number of songs written down by the captives.He could be said to have been one of the first to research and record MÄ ori traditional music, yet this white interest in the music did not start to reappear until t he twentieth century. This change occurred on a grand scale over the next century, and to this day MÄ ori music is seen as synonymous with hymns and European-based melodies. This view has been widely held by the white general public for all of the twentieth century, though many MÄ ori know it not to be entirely accurate. Ethnomusicologist Mervyn Mclean stated that among the public at large, however, such songs are a mostly hidden tradition.A revival of the MÄ ori culture began in the 1960s, dubbed the MÄ ori renaissance,and with it came both the technology and the motivation to record and preserve the traditional songs that were left among the populace. This made the job of collecting and studying MÄ ori music a lot easier for ethnomusicologists, as up until this utilisation of new recording technology, they had been hard pressed to source singers and songs out. Mclean mentions that ‘preparations for fieldwork took an inordinate amount of timein the late 1950s, and mentions that without th e huge advantage of meeting several willing MÄ ori Elders I would not have had the resources to survive in the field. Changes and modern learning The traditional MÄ ori song forms, as well as being non-diatonic as previously stated, were in fact completely incompatible with western tonal language. Though the melodies sung could be transcribed into musical notation, they were not in a fixed time signature or particular key as we would understand it. The lack of harmonic movement mystified witnesses to performances in the nineteenth century, as the MÄ ori music relied more on repetition, both rhythmic and harmonic, and different performance approaches by different singers, for the colour and variety in their music.

The New Woman in Fanu’s Carmilla, Stoker’s Dracula, and Buffy the Vampi

The New Woman in Fanu’s Carmilla, Stoker’s Dracula, and Buffy the Vampire Slayer The correlation between the vampire, a figure that is usually regarded as the subject of social ostracism, and the New Woman, the advent of which was feared by the majority of the British Victorian patriarchy, was a prominent aspect of much mid-to-late Victorian era literature. Supplementary evidence to support the compelling Victorian era literary connection between the vampire and the New Woman can be extrapolated from the unique gender role standards that defined that socially complex era. As Catherine Siemann suggests in her essay, â€Å"Darkness Falls on the Endless Summer: Buffy as Gidget for the Fin de Siecle,† the Victorian New Woman’s â€Å"personal autonomy, economic independence and sexual self-determination led [her] to be seen as a threat, undermining the social order† (Wilcox and Lavery 124). In transforming New Woman-like literary characters into vampires, their punishment or destruction could be interpreted as a culturally acceptable way to metaphorically control the New Woman, thereby keeping the existing patriarchal domin ation unblemished and intact. Thus, literature offered the Victorian patriarchy a psychological defense against this perceived cultural â€Å"threat;† unsurprisingly, male authors were the ones responsible for a good portion of these texts. While New Woman-like vampires are featured in many Victorian works, including Charles Baudelaire’s â€Å"The Vampire† (1857) and Julian Osgood Field’s â€Å"A Kiss of Judas† (1894), perhaps none capture, in metaphoric form, the anxiety about, and the alleged viciousness toward, the New Woman better than Joseph Sheridan Le Fanu’s novella Carmilla (1872) and Bram Stoker’s Dracula (1897). T... ...hers, Inc., 2002. 120-129. Stoker, Bram. Dracula. 1897. New York: Dover Publications Inc., 2000. Vint, Sheryl. â€Å" ‘Killing Us Softly’?: A Feminist Search for the ‘Real’ Buffy.† Slayage: The On-Line International Journal of Buffy Studies 5. 10 pp. Web 21 Apr. 2015. http://www.slayage.tv/essays/slayage5/vint.htm>. â€Å"What’s My Line?, Part 2.† Buffy the Vampire Slayer. Created by Joss Whedon. Perf. Sarah Michelle Gellar & Alyson Hannigan. WB. New York: 24 Nov. 1997. Wilcox, Rhonda V. and David Lavery, ed. Fighting the Forces: What’s At Stake in Buffy the Vampire Slayer. New York: Rowman & Littlefield Publishers, Inc., 2002. Wisker, Gina. â€Å"Vampires and School Girls: High School Jinks on the Hellmouth.† Slayage: The On-Line International Journal of Buffy Studies 2. 12 pp. Web 21 Apr. 2015. http://www.slayage.tv/essays/slayage2/wisker.htm>. The New Woman in Fanu’s Carmilla, Stoker’s Dracula, and Buffy the Vampi The New Woman in Fanu’s Carmilla, Stoker’s Dracula, and Buffy the Vampire Slayer The correlation between the vampire, a figure that is usually regarded as the subject of social ostracism, and the New Woman, the advent of which was feared by the majority of the British Victorian patriarchy, was a prominent aspect of much mid-to-late Victorian era literature. Supplementary evidence to support the compelling Victorian era literary connection between the vampire and the New Woman can be extrapolated from the unique gender role standards that defined that socially complex era. As Catherine Siemann suggests in her essay, â€Å"Darkness Falls on the Endless Summer: Buffy as Gidget for the Fin de Siecle,† the Victorian New Woman’s â€Å"personal autonomy, economic independence and sexual self-determination led [her] to be seen as a threat, undermining the social order† (Wilcox and Lavery 124). In transforming New Woman-like literary characters into vampires, their punishment or destruction could be interpreted as a culturally acceptable way to metaphorically control the New Woman, thereby keeping the existing patriarchal domin ation unblemished and intact. Thus, literature offered the Victorian patriarchy a psychological defense against this perceived cultural â€Å"threat;† unsurprisingly, male authors were the ones responsible for a good portion of these texts. While New Woman-like vampires are featured in many Victorian works, including Charles Baudelaire’s â€Å"The Vampire† (1857) and Julian Osgood Field’s â€Å"A Kiss of Judas† (1894), perhaps none capture, in metaphoric form, the anxiety about, and the alleged viciousness toward, the New Woman better than Joseph Sheridan Le Fanu’s novella Carmilla (1872) and Bram Stoker’s Dracula (1897). T... ...hers, Inc., 2002. 120-129. Stoker, Bram. Dracula. 1897. New York: Dover Publications Inc., 2000. Vint, Sheryl. â€Å" ‘Killing Us Softly’?: A Feminist Search for the ‘Real’ Buffy.† Slayage: The On-Line International Journal of Buffy Studies 5. 10 pp. Web 21 Apr. 2015. http://www.slayage.tv/essays/slayage5/vint.htm>. â€Å"What’s My Line?, Part 2.† Buffy the Vampire Slayer. Created by Joss Whedon. Perf. Sarah Michelle Gellar & Alyson Hannigan. WB. New York: 24 Nov. 1997. Wilcox, Rhonda V. and David Lavery, ed. Fighting the Forces: What’s At Stake in Buffy the Vampire Slayer. New York: Rowman & Littlefield Publishers, Inc., 2002. Wisker, Gina. â€Å"Vampires and School Girls: High School Jinks on the Hellmouth.† Slayage: The On-Line International Journal of Buffy Studies 2. 12 pp. Web 21 Apr. 2015. http://www.slayage.tv/essays/slayage2/wisker.htm>.

The Unexplained Romance Between Life and Death Essay -- Eliot Wastelan

The Unexplained Romance Between Life and Death Humans have always been fascinated with the unexplained, life and death being two of the most popular. Much of the culture of the United States, as well as the cultures of other countries, is devoted to these two themes. Television shows, books, poems and even movies have fueled our romance. In T.S. Eliot’s most famous poem The Wasteland, he says, "I will show you fear in a handful of dust" (l. 30). Our romance with death does not just include the finality of the process, but also the realization of our need to improve our lives, because we finally realize just how precious they are. It is often said "you don’t know what you’ve got ‘til it’s gone." In his book No Past, No Present, No Future, Yulisa Amadu Maddy tells of the life and times of three boys, and how they learn this to be true. Early on in his life, each boy has an incident with death, and raises his own questions about each. Joe Bengoh loses his parents, Santige loses his father, and Ade faces the death of a girl named Mary. Their questions come from the hurt of not knowing what is to happen in their future. Each boy has something to struggle with during these deaths, and must learn how to overcome their difficulties. Santige wonders about the legacy of his father, Joe about his mistakes with Mary, and Ade is cold to the whole situation. Joe wants to die when Mary dies, because he feels responsible for everything, including Santige and Ade. However responsible each boy feels, they find something new to live for, and rebuild the tatters of their broken past lives. Be it for good or bad, each decides to go their own separate way and make a new life in England. Joe finds he can excel in school and even finds a... ...ww.c-span.org/campaign2000/bushspeech.asp. Brooks, David. Bobos in Paradise : The New Upper Class and How They Got There. New York: Simon, 2000. Eliot, T.S. The Waste Land, Prufrock and Other Poems. New York: Dover, 1998. Gore, Albert Jr., Concession Speech. C-Span.Org: Public Affairs on the Web. 13 Dec. 2000: 24 Jan. 2001. http://www.c-span.org/campaign2000/gorespeech.asp. Jin, Ha. Waiting. New York: Vintage, 2000. Maddy, Yulisa Amadu. No Past No Present No Future. Portsmouth, NH: Heinemann- Reed, 1996.. Sparks, Nicholas. The Notebook. Warner Books Inc. new york. 1996 Tanksley, Charlie. Speech on the Proposed New Flag. Ajc.com. 30 Jan. 2001. < http://www.accessatlanta.com/partners/ajc/flag/tankspeech.html>. Taylor, Mark. Remarks on the New Flag. Ajc.com. 30 Jan. 2001. http://www.accessatlanta.com/partners/ajc/flag/taylor0130.html The Unexplained Romance Between Life and Death Essay -- Eliot Wastelan The Unexplained Romance Between Life and Death Humans have always been fascinated with the unexplained, life and death being two of the most popular. Much of the culture of the United States, as well as the cultures of other countries, is devoted to these two themes. Television shows, books, poems and even movies have fueled our romance. In T.S. Eliot’s most famous poem The Wasteland, he says, "I will show you fear in a handful of dust" (l. 30). Our romance with death does not just include the finality of the process, but also the realization of our need to improve our lives, because we finally realize just how precious they are. It is often said "you don’t know what you’ve got ‘til it’s gone." In his book No Past, No Present, No Future, Yulisa Amadu Maddy tells of the life and times of three boys, and how they learn this to be true. Early on in his life, each boy has an incident with death, and raises his own questions about each. Joe Bengoh loses his parents, Santige loses his father, and Ade faces the death of a girl named Mary. Their questions come from the hurt of not knowing what is to happen in their future. Each boy has something to struggle with during these deaths, and must learn how to overcome their difficulties. Santige wonders about the legacy of his father, Joe about his mistakes with Mary, and Ade is cold to the whole situation. Joe wants to die when Mary dies, because he feels responsible for everything, including Santige and Ade. However responsible each boy feels, they find something new to live for, and rebuild the tatters of their broken past lives. Be it for good or bad, each decides to go their own separate way and make a new life in England. Joe finds he can excel in school and even finds a... ...ww.c-span.org/campaign2000/bushspeech.asp. Brooks, David. Bobos in Paradise : The New Upper Class and How They Got There. New York: Simon, 2000. Eliot, T.S. The Waste Land, Prufrock and Other Poems. New York: Dover, 1998. Gore, Albert Jr., Concession Speech. C-Span.Org: Public Affairs on the Web. 13 Dec. 2000: 24 Jan. 2001. http://www.c-span.org/campaign2000/gorespeech.asp. Jin, Ha. Waiting. New York: Vintage, 2000. Maddy, Yulisa Amadu. No Past No Present No Future. Portsmouth, NH: Heinemann- Reed, 1996.. Sparks, Nicholas. The Notebook. Warner Books Inc. new york. 1996 Tanksley, Charlie. Speech on the Proposed New Flag. Ajc.com. 30 Jan. 2001. < http://www.accessatlanta.com/partners/ajc/flag/tankspeech.html>. Taylor, Mark. Remarks on the New Flag. Ajc.com. 30 Jan. 2001. http://www.accessatlanta.com/partners/ajc/flag/taylor0130.html

Waking up too early is unhealthy Essay -- Expository Essays

BEEP! BEEP! BEEP! BEEP! BEEP! BEEP! You’re familiar with that sound, it’s the sound of you’re alarm clock. It’s really hard for kids to wake up to the sound isn’t it? It’s not even good for them either! Yet, kids, whose appetites for sleep are the biggest, have to wake up as early as 6:00 a.m.! It’s crazy how they, the school boards, set the system up. And bus drivers, who also have to wake up quite early, might be having problems waking up. Even if they don’t, someone behind them might be and that puts the whole bus at risk! Anyways, the point is that the decision made for the school arrival time was wrong and it needs to be changed on a large scale. This means in EVERY high school. Starting school too early is not only a nuisance but it can also be very dangerous and it can have negative effects on a teen’s education. A Chicago chief of medicine states that sleep deprivation, found in many teens, can have negative affects on a teen’s mood, performance, attention, and behavior. Because teens start driving in high school, their safety in a car is also related to sleep deprivati...

Medea VS Wide Sargasso Sea

1.0  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   IntroductionRhys’ novel, ‘Wide Sargasso Sea’ is an attempt by the novelist to humanize the racially pejorative life of a West Indian mad woman, Antoinette, who, led to lead a tumultuous life by her husband, and under the watchful eyes of a servant, is transformed from a tragic demise to one of heroism and triumph. Rhys brings to her works the experience she felt as a single woman living in a patriarchal culture. She was influenced by Charlotte Bronte’s Jane Eyre, where she thought she would give life to Bertha Mason, and it was with this in mind that Rhys created Antoinette.What Rhys does in ‘Wide Sargasso Sea,’ is to negate the patriarchal dominance by challenging Antoinette’s husband, Rochester’s tyrannical behaviour. When Mr. Mason brushes aside the martial problem of Annette’s sister, saying that it was her story, and that he didn’t believe any part of it, Rhys, thr ough her protagonist Antoinette, targets the bullish nature of men. Rhys, through her work, ‘Wide Sargasso Sea,’ and particularly through her characterization of Antoinette, targets the struggle of women against the dictates of patriarchy. She portrays her women to be stronger than men in the novel, ‘Wide Sargasso Sea’.Euripides, born in Athens in 484 BC, was perhaps a rebel of his times. He was known to be a free thinker, and was critical of the religious practices and oppression of women and slaves. This made him write in support women and the oppressed lot; unheard of before him.Euripedes’ ‘Medea,’ is about the protagonist’s conflict with despair and greed. Medea, who with Jason, settles in Corinth after a long series of trials and adventure, are respected and establish a family. However, things begin to change as Jason seeks to advance his position by marrying Glauce, the daughter of Creon, king of Corinth. This irks Medea, wh o voices her grievances publicly, endangering her and her children’s lives.Jason’s claim that his remarriage would benefit everyone was seen by Medea as being patriarchal, and she plots to take revenge on Jason, Creon and Glauce. She flees for her life with the children, only to be helped by Aegeus, King of Athens, if Medea exchanged her knowledge of certain drugs that could cure his sterility. Here too we see the patriarchal attitude of the king. Medea finds ‘justice’ when she has Glauce and Creon drinking poison. She kills her children, but fails in her justice to punish Jason. She flees the scene in a dragon-pulled chariot provided by her grandfather, the Sun-God.2.0   Patriarchal and its essence in the novel, ‘Wide Sargasso Sea’The term patriarchal in the novel, ‘Wide Sargasso Sea,’ is analogical to the domination of men over women. The book is an attempt by Jean Rhys to hit back at male dominance, as seen in Charlotte Bront e’s, ‘Jane Eyre.’ Rhys attempts to stand up against oppression of slavery and entrapment, as seen in the incidents that take place in Wide Sargasso Sea.The specter of slavery and entrapment pervades Wide Sargasso Sea. The ex-slaves who worked on the sugar plantations of wealthy Creoles figure prominently in Part One of the novel, which is set in the West Indies in the early nineteenth century. There are quite a few incidents that transform this young, sensitive woman to what she was at the end of the novel; a raging mad woman. First of all, Antoinette grew up without a father or the love of her mother. She was married off to an Englishman by her step-brother, Richard Mason, who offered Rochester  £30,000 and rights over the girl's inheritance.She couldn’t stand such treatment meted to her by a man without her approval. This was patriarchal, and Antoinette couldn’t forgive him for being so rude to her weakness. The second man in her mother’s life; Mr. Mason was more than dominating. He was in love with her mother’s estate than them and left them to survive in the care of a black couple who repeatedly humiliated and mocked at her. The sufferings of her mother at the hands of Mr. Mason are reflected in Antoinette’s early recollection of her, and she speaks of Annette’s signs of madness and melancholy. Antoinette was unfortunate not to meet her mother who died when Antoinette was at the convent school.When Annette confronts Mason to ask him to intervene on behalf of her sister, he says, â€Å"That's her story. I don't believe it,’ a sign to show that he supported the other man, and that what women said was just a bunch of lies. These incidents revealed the male bastion of the men around Antoinette, and this led her to rebel the patriarchal treatment meted out to her. When she is married off to Rochester, and taken to England, Rochester says to himself, â€Å"No more false heavens. No more dam ned magic,† in support of his desire to leave the cursed family behind and lead a peaceful life in England.Rochester develops a relationship with Antoinette’s maid, Amelie. She openly slaps Antoinette in front of her husband, who takes no notice of this. He even offers Amelie money to as gift. Antoinette sees this as a way to get at her and show his male chauvinism. Daniel Cosway, another of Alexander Cosway's bastard children, writes to Rochester on Antoinette’s madness. This brings to fore a quote from the book, â€Å"He has no right to that name,† said Antoinette quickly. â€Å"His real name, if he has one, is Daniel Boyd. He hates all white people, but he hates me the most. He tells lies about us and he is sure that you will believe him and not listen to the other side.†Ã¢â‚¬Å"Is there another side?† asked Rochester.â€Å"There is always the other side, always,† ended Antoinette. This went to show that Rochester was more inclined to believe a strange man than a woman, who was his wife.Overall, Antoinette was fighting men for justice and thought that all men were being bossy, and thus patriarchal. She revolts in the end to fight this dominance, first biting Rochester on the arm, drawing blood. Rochester takes her to England where she is locked up in a garret. She is left there to die, looked after by a servant named Grace Poole. When Daniel came to see her, Antoinette draws a knife on him.She follows her dream of walking out of the garret with a candle in her hand, to burn the house down with her and Rochester in it; justice delivered in the end. Annette’s pet parrot, enacted Antoinette’s own doom, when, as Antoinette recalled, â€Å"made an attempt to fly down, by the clipped wings failed him, and he fell down on fire.† Coco was left maimed, analogical to Antoinette’s own flightless dependency. This sums up the treatment meted out to Antoinette and her fall from the attic.3.0   Pa triarchal and its essence in the play, ‘Medea’The word, Patriarchal to Medea meant greed. One sees the attitude of men towards women in their quest for power and opportune. Medea and Jason had fought bitter trials and overcome many an adventure to be together. They were well respected by all in Corinth. However, when Jason was ready to remarry for his betterment, Medea wanted to take revenge. Creon, the king of Corinth, whose daughter Jason married, heard about this, he immediately asked her to be brought to justice.He wanted his daughter to be happy, and was not inclined to see the despair running though Medea or her children. Glauce, who knew about Medea, also showed no pity. Medea thus was forced to run for her life. She knew that she had to get justice for her grievance and plotted to kill Jason, Glace and Creon. She was fortunate to meet Aegeus, the king of Athens, who promised to protect her, provided that she gives him her knowledge of certain drugs that could cu re him of his sterility.This was also an incidence that saw Medea see men interested only in their gain. Her murder of her brother to slow the pursuers from catching them is to show that she believed that men were more worthy than women, and that the warriors would stop to give him a respected burial. She takes revenge to redeem justice for Jason’s actions. She has Glauce poisoned, and seeing his daughter dying, Creon also consumes poison and dies. Medea then kills her children; to have the pleasure of watching Jason suffer their loss. ‘Betrayal’ is what Euripides indicates as the patriarchal element in his play, ‘Medea.’4.0   AnalysisThe term ‘Patriarchal’ has a wide implication in the general sense. In the context of the two works; one by Jean Rhys on, ‘Wide Sargasso Sea,’ and the other in Euripides’, ‘Medea,’ the term has distinct meanings. This can be seen in the way the plot is developed and the ro le of the protagonists in overcoming them. While patriarchal to Antoinette in ‘Wide Sargasso Sea’ is the bullish domination of men against women, for Medea, it was betrayal for personal interest.There is no denying the fact that both the protagonists were affected by their male partners, and had to experience hardship. But, the domination and motive to deliver ‘justice’ at the end, showed them to be more commanding and dominant in the plot. Antoinette was stronger than Daniel, her step-brother, whom she knifed, and she was more courageous in plotting to kill her, Grace and Rochester by lighting a fire to the house where she, Grace and Rochester were residing. Such mental strength was missing in the men in the novel.Medea was powerful, and had magic to protect her. She was strong enough to kill her brother, her children, and Glause. She was definitely the stronger of the characters portrayed in the play.5.0   ConclusionDespite the background, and the conse quence for the actions initiated by the protagonists, both Antoinette and Medea were the stronger characters in the respective works. Though the men did hurt their women physically and mentally, they were not strong enough to plot a murder. Rochester treated her shabbily and had her confined to a garret in the house for ages, causing mental torture. Jason was greedy for power and was not going to let Medea come in the way. He went ahead and married Glauce, much to Medea’s distraught. The women were more successful in the end in getting their ‘justice,’ proving them to be stronger.

Expressions of Attitudes Through Tone and Use of Words Essay

â€Å"Forgiving My Father†, â€Å"Those Winter Sundays†, â€Å"My Papa’s Waltz†, and â€Å"Father From Asia† are literary pieces that tell about the fathers and the attitudes of the speakers towards them. The personas express their different feelings for the father they had. Lucille Clifton’s â€Å"Forgiving My Father† talks about a daughter’s bitterness towards her father. Throughout the poem, the negative side of the patriarch is shown. The persona describes what her father did, and it shows him as an irresponsible provider as he doesn’t give his family what they need. The speaker says that the father would give all that he has which was nothing. She also mentions what she wants to do and what she would’ve done. Although the title is about forgiving the father, the poem doesn’t seem to speak about forgiveness at all. The mood is the same in Shirley Geok-Lin Lim’s â€Å"Father From Asia†. The father is also depicted as a lousy provider. It was also mentioned in the poem that there is a large gap between the whole family and the father. Anger resonates throughout the poem as the speaker expresses his/her sentiments towards the father who brought poverty to the family. In the next piece, â€Å"My Papa’s Waltz† by Theodore Roethke, the persona tells of how he was feeling and experiencing as his father was â€Å"waltzing† him. In the poem, the persona simply narrates his experience in detail, which makes the father appear to be abusing them. Roethke’s use of words, such as â€Å"hung on like death†, â€Å"romped† and â€Å"battered†, make the poem appear violent. â€Å"Those Winter Sundays† by Robert Hayden tells the story of a son remembering an event wherein he saw his father’s ways of providing for his family. The boy recounts what his father did on a winter day, and the efforts to keep the family comfortable. The poem implies a lack of communication or a gap between the father and son. This may be the reason why the son failed to recognize, at that time, that this was his father‘s way of showing that he cares. But the last two lines of the piece seem to express his appreciation for what the father did for him and his family. This poem appears to have a tone of regret for not recognizing a father’s love. Of all these four, Lim’s â€Å"Father From Asia† seems to express anger the most. She speaks of her father as though he is just a worthless creature. As her narration says, the father does not give her and her family anything. The tone in the poem somehow makes the readers feel for the speaker. Author Shirley Geok-Lin Lim uses words that are so full of resentment that readers can also feel the hatred of the persona. Even though she already seems to understand their situation, resentment is still reflected in the poem. The father is the one she blames for the poverty she experienced in her childhood. The persona already knows that it would be a waste of time to think about the father who left her with these bad memories, which she compares to worthless dust that can easily be blown away. This leads her to the decision of leaving her past and her father behind. All four fathers did something that made the speakers angry. In the cases of the characters of Roethke, Clifton and Hayden, there seems to be forgiveness. The speaker in â€Å"Those Winter Sundays† admitted that he is also to blame for the poor relationship he had with his father. Through this and his own reasoning he has resolved the resentments he had for his father. Even though the speaker’s feelings for his father were not implied in the first two stanzas, the last stanza of the poem shows what his relationship with his father was and what he really felt towards him. In Roethke’s work, the persona’s forgiveness was shown through the analogy he made between the abuse he experienced and a waltz. He was able to deal with his anger by converting a tragic memory such as an abuse into an enjoyable, and in this case violent, activity which is dancing the waltz. The speaker in Clifton’s â€Å"Forgiving My Father† shows that she has already accepted the past abuses done to her and her mother, although the thought of his father haunts her from time to time. Figures of speech in the poem indicate this. There is also a part of the poem wherein she gives up on him, and she no longer sees him as her responsibility. This shows that the speaker has come to the point of acceptance but it is still hard to say if she has already forgiven the father. However, Lim’s â€Å"Father from Asia† did not show forgiveness, simply because she decided to forget everything about him. Instead of granting the forgiveness to her father, she chooses to banish him from her thoughts as though he did not and does not exist at all. She doesn’t want to deal with her feelings for her father anymore, and this is why she opts to bury these feelings. The poems expressed a negative attitude towards the fathers but only Hayden’s persona shows a positive attitude as well. He acknowledges the fact that the father tries to really provide for the family. And at the last stanza he realizes what his father had given him. He realizes that the father did provide warmth and cleanliness for him. These four poems talk about attitudes towards fathers. The authors treated these in different manners which is reflected by their use of words and tone. Nonetheless, all express negative attitudes. There were no clear indications of forgiveness in the part of the speakers, but some manage to show even a little positive attitude towards their fathers.

Educator In Community Essay

Initial assessment should focus on learning styles and knowledge level of students. This can be accomplished by asking the expectation of students, activities that they want to participate in and through an assessment of existing skills and competencies. The nurse educator must then mediate the course objectives with the result of these tests: assessment of the class must be bridges with the target outcomes for students (Priest, 2004). Instructional strategies should include literature, practical demonstrations and activities as well investigative or research activities. Reading materials should be supported by activities that will allow the students to experience what they have read. Further reinforcement should be done through participation in discussions and research activities. Processing by students of the strategies and assessment by the teachers performance can then be used to determine shat activities or strategies is most effective for the class (Gay et al, 2006). Testing of students should assess their understanding of the significance of each element in the educational program. Evaluation of which teaching strategy, literature, practical or research based activities, should be done as a means of initial assessment and to gauge what strategy will be used in the program. Similar settings for health education should be assess individually, either anonymously or through personal or written by students, as well as a group to promote collaboration among participants and the nurse education. Nurse educators in community and staff education settings have to be sensitive regarding their audience and at the same time must not discriminative regarding the level of learning requires of their students (Blair, 2004; Priest, 2004). This entails effective assessment tools to gauge topic knowledge and the learning style of students (Gay et al, 2006). Nurse educators must expect that strategies must respond to the characteristics of their audience rather than the reverse and that. This will entail constantly redeveloping teaching methods to allow communities to work collaboratively with nurse educators in promoting long-term and sustainable health programs.

Media Helping in Nation Building

| | |Media | |[pic] | | | |'Media' is the medium of carrying information, education and entertainment to the masses. It is an easier and efficient means of| |communication which plays a key role in the overall development of an economy. In an era where knowledge and facts are the tools| |for economic, political and cultural exchange, presence of the strong and constructive media in a country is important for | |catering to the diverse needs of individuals, society as a whole, small and large business and production houses, various | |research organizations, private sectors as well as the public sectors. Media is a conscience-keeper of the nation and has many | |tasks to perform in our day-to-day lives. It helps the Government to achieve various socioeconomic and political goals; educate | |urban and rural masses; instill a sense of responsibility among the people; as well as provide justice to the needy. It largely | |consists of print media like newspapers, magazines, journals and other publications, etc. as well as electronic media like | |radio, television, internet, etc. With the changing scenario of the world, it has acquired the status of an industry. | |In India, the media and entertainment industry is undergoing remarkable change and is one of the fastest growing sectors. The | |main factors responsible for this are rising per capita/ national income; high economic growth and strong macro-economic | |fundamentals; and democratic set up, good governance as well as law and order position in the country. Specifically, spectacular| |growth of the television industry, new formats for film production and distribution, privatisation and growth of radio, | |gradually liberalising attitude of Government towards the sector, easier access to and for international companies as well as | |advent of digital communication and its technological innovations are the other attributes of the growth of the sector. The | |media industry plays an important role in creating people's awareness about national policies and programmes by providing | |information and education, besides creating healthy business environment in the country. Thus, it helps people to be active | |partners in the nation-building endeavour. | |The  Ministry of Information and Broadcasting  is the nodal authority in India for formulation and administration of the rules, | |regulations and laws relating to media industry. It is involved in catering to the entertainment and intellectual needs of | |various age groups and focusing attention of the masses on issues of national integrity, environmental protection, health care | |and family welfare, eradication of illiteracy as well as issues relating to women, children and weaker sections of the society. | |It plays a significant part in helping the people to have access to free flow of information. It is also responsible for | |international co-operation in the field of mass media, films and broadcasting and interacts with its foreign counterparts on | |behalf of Government of India. The main functions of the Ministry are to:- | |Provide news services through All India Radio (AIR) and Doordarshan (DD) to the people | |Develop the broadcasting and television network as well as promote import and export of films   | |Educate and motivate the people for greater participative involvement in the various developmental activities and programmes of | |the Government   | |Liaise with State Governments and their organisations in the field of information and publicity   | |Organise film festivals and cultural exchanges in the country   | |Administer the Press and Registration of Books Act, 1867 in respect of newspapers   | |Disseminate information about India within and outside the country through publications on matters of national importance   | |Use interpersonal communication and traditional folk art forms for information/ publicity campaigns on public interest issues | |Serve as a constant link between the Government and the Press, by acting as a clearing h ouse of official information and | |authentic data pertaining to the Union Government’s plans and programmes. | |The Ministry is divided into the following wings, namely:- | |Information Wing  Ã¢â‚¬â€œ deals with the policy matters, the print media as well as the press and publicity requirements of the | |Government. The media units in this wing re:-   | |Press Information Bureau | |Photo Division   | |Research, Reference and Training Division   | |Publications Division | |Directorate of Advertising and Visual Publicity | |Directorate of Field Publicity   | |Song and Drama Division   | |Registrar of Newspapers for India   | |Press Council of India   | |Indian Institute of Mass Communication   | |Broadcasting Wing  Ã¢â‚¬â€œ handles matters relating to the electronic media. It formulates policies and frames rules and regulations | |for this sector, which include public service broadcasting, operation of cable television, private television channels, | |F. M. channel, satellite radio, community radio, DTH services, etc. The organizations under this wing include:- | |Electronic Media Monitoring Centre | |The Prasar Bharati (Broadcasting Corporation of India) – has been set up with the mandate to organise and entertain people and | |to ensure balanced development of broadcasting on radio and television through agencies like:- (i) All India Radio, and (ii) | |Doordarshan. | |Broadcast Engineering Consultants (India) Limited (BECIL) | |Films Wing  Ã¢â‚¬â€œ handles matters relating to the film sector. Through its various units, it is involved in the production and | |distribution of documentary films required for internal and external publicity, development and promotional activities relating | |to film industries including training, promotion of good cinema, organization of film festivals, import and export regulations, | |etc. This wing has the following media units: | |Films Division | |Central Board of Film Certification   | |National Film Archive of India   | |National Film Development Corporation   | |Film and Television Institute of India   | |Satyajit Ray Film and Television Institute   | |Directorate of Film Festivals   | |Children’s Film Society | |Integrated Finance Wing  Ã¢â‚¬â€œ performs important functions of maintaining and monitoring the Accounts of the Ministry, through its | |subordinate office of ‘Chief Controller of Accounts'. | |The media industry has significantly benefited from liberal investment regime in the country. Foreign direct investment (FDI) | |has been permitted in its various segments. FDI upto 100 per cent has now been allowed for print media covering non-news | |publications and FDI (with FII) upto 26 per cent has been allowed for print and electronic media covering news and current | |affairs. However, the news sector has also been opened up for FIIs, NRIs and PIOs. The FDI (including FII) in FM radio | |broadcasting sector has been allowed at 20 per cent. While, FDI and FII upto 49 per cent have been permitted for cable network; | |direct to home (DTH) – (within this limit, FDI component not to exceed 20 per cent); setting up hardware facilities such as | |up-linking, hub (teleports); etc. | |At present, there are 110 million TV households in India, out of which 70 million are cable and satellite homes and rest 40 | |million are served by the public broadcaster, that is, Doordarshan. Similarly, there are 132 million radio sets in the country. | |Further, over the years, the number of private satellite TV channels have grown very fast from 1 TV channel in 2000 to 273 TV | |channels till 31. 12. 2007. The news and current affairs TV channels constitute 58 per cent and non-news and current affairs TV | |channels constitute 42 per cent of total permitted 273 TV channels. The former channels have grown from 1 in 2000 to 158 till | |31. 12. 2007, while latter rose from 0 to 115. | |The Ministry has been making several policy announcements as well as framing guidelines in order to create conducive environment| |for healthy development of various mass media in the country. Some of these are:- | |The formulation of ‘Policy Guidelines for Downlinking of Television Channels' which implies downlinking all satellite television| |channels downlinked / received / transmitted and re-transmitted in India for public viewing. Under it, no person/entity shall | |downlink a channel which has not been registered by the Ministry. Henceforth, all persons/ entities providing Television | |Satellite Broadcasting Services (TV Channels) uplinked from other countries to viewers in India as well as any entity desirous | |of providing such a Television Satellite Broadcasting Service (TV Channel), receivable in India for public viewership, shall be | |required to obtain permission from Ministry, in accordance with the terms and conditions prescribed. The policy guidelines | |enumerates certain eligibility criteria's for applicant company, which are as follows:- | |The entity (applicant company) applying for permission of downlinking a channel, uplinked from abroad, must be a company | |registered in India under the Companies Act, 1956, irrespective of its equity structure, foreign ownership or management | |control; | |The applicant company must have a commercial presence in India with its principal place of business in India;. |It must either own the channel it wants to downlink for public viewing, or must enjoy, for the territory of India, exclusive | |marketing/ distribution rights for the same, inclusive of the rights to the advertising and subscription revenues for the | |channel and must submit adequate proof at the time of application; | |In case the applicant company has exclusive marketing / distribution rights, it should also have the authority to conclude | |contracts on behalf of the channel for advertisements, subscr iption and programme content;   | |The applicant company should have a minimum net worth as prescribed, that is, networth of  Rs. 1. 5 crore for downlinking of one | |channel and  Rs. crore for each additional channel;   | |It must provide names and details of all the Directors of the company as well as key executives such as CEO, CFO and Head of | |Marketing, etc to get their national security clearance; | |It shall furnish technical details such as nomenclature, make, model, name and address of the manufacturers of the | |equipments/instruments to be used for downlinking and distribution, the Block schematic diagram of the downlinking and | |distribution system as well as also demonstrate the facilities for monitoring and storing record for 90 days. |Similarly, the notification of ‘Guidelines for Uplinking from India', wherein the applicant, seeking permission to set up an | |uplinking hub/ teleport or uplink a TV Channel or uplink facility by a News Agency, should b e a company registered in India | |under the Companies Act, 1956. The company shall uplink only those TV channels which are specifically approved or permitted by | |the Ministry. For setting up of uplinking hub/ teleports in applicant company, the foreign equity holding including NRI/OCB/PIO | |should not exceed 49%. The networth requirement varies from  Rs. 1 crore to  Rs. 3 crores for channel capacity one to ten. The | |applicant company, irrespective of its ownership, equity structure or management control, would be eligible to seek permission | |for uplinking a non-News and current affairs TV channel. Networth required for single TV channel is  Rs. 1. 5 crore and  Rs. 1 | |crore for each additional channel. While, for uplinking a news and current affairs TV channel, networth required for single TV | |channel is  Rs. 3 crores and  Rs. 2 crores for each additional TV channel. | |The Ministry has issued ‘Guidelines for Obtaining License for Providing Direct-To-Home (DTH) Broadcasting Service in India', | |wherein DTH service refers to the distribution of multi-channel TV programmes in Ku Band by using a satellite system for | |providing TV signals direct to subscribers premises, without passing through an intermediary such as cable operator. The | |eligibility criteria's in the guidelines include:- | |Applicant Company to be an Indian Company registered under Indian Companies Act, 1956. | |Total foreign equity holding including FDI/NRI/OCB/FII in the applicant company not to exceed 49%. Within the foreign equity, | |the FDI component not to exceed 20%. | |The applicant company must have Indian Management Control with majority representatives on the board as well as the Chief | |Executive of the company being a resident Indian; etc. | |A ‘Policy on expansion of FM Radio Broadcasting Services through Private Agencies (Phase-II)' has also been announced to expand | |FM radio network through private agencies to supplement and complement the efforts of All India Radio. This is to be done by | |operationalising radio stations that provide programmes with local content and relevance, improving the quality of fidelity in | |reception and generation, encouraging participation by local talent and generating employment. There are 21 channels already in | |operation under Phase-I. Out of 337 channels offered for bid in Phase II, Letter of Indent (LOI) has been issued to 245 | |channels, of which all channels have signed the agreements. In all, 178 private FM channels are in operation till date in India | |including the 21 channels of Phase I. | |There is also a ‘Policy for Import of Cinematograph Films and Other Films', wherein import of cinematograph feature films and | |other films (including film on video tape, compact video disc, laser video disc or digital video disc) has been allowed without | |a licence. The importer of the film shall comply with the provisions of all applicable Indian laws governing the distribution | |and exhibition of films, including the requirement of obtaining a certificate of public exhibition prescribed under the | |Cinematograph Act 1952. Under it, import of any unauthorized/pirated films shall be prohibited. Import of foreign reprints of | |Indian films shall not be permitted without the prior permission in writing from the Ministry. | |'Draft Broadcasting Services Regulation Bill, 2007†² has been announced to promote, facilitate and develop in an orderly manner | |the carriage and content of broadcasting. For the purpose, it aims to provide for the establishment of an independent authority | |to be known as the Broadcast Regulatory Authority of India as well as encourage broadcasting services to be responsive for the | |educational, developmental, social, cultural and other needs and aspirations of people and include in their programming public | |service messaging and content; etc. | |As a result of all such incentives, the media industry in India has shown considerable growth over the years, with almost | |double-digit growth. It is projected to grow from an estimated size of  Rs. 437 billion to  Rs. 1 trillion by 2011. It provides | |ample opportunities for investors the world over, brings in more capital inflow into the country and presents significant | |avenues for both direct and indirect employment. It helps in shaping people's views and outlooks about various national and | |international issues and thus helps in formulation of schemes, policies and programmes. It is a powerful medium for providing | |entertainment, disseminating information, nurturing and cultivating diverse opinions, educating and empowering the people of | |India to be informed citizens so as to effectively participate in the democratic process; as well as preserving, promoting and | |projecting the diversity of Indian culture and talent of the country. | Mass Communication IN a country like ours, mass communication plays a vital role in creating people’s awareness about policies and programmes of development. It helps in motivating them to be active partners in the nation-building endeavour. A skillful synthesis between traditional and folk forms of communication on the one hand and modern audio-visual media including Satellite Communication on the other, is being attempted. The Ministry of Information and Broadcasting being the nodal organisation in this field has a comprehensive set-up of its mass media units with their regional and branch offices as well as mobile units. ELECTRONIC MEDIA AKASHVANI Broadcasting started in India in 1927 with two privately-owned transmitters at Bombay and Calcutta. The Government took over the transmitters in 1930 and started operating them under the name of Indian Broadcasting Service. It was changed to All India Radio (AIR) in 1936 and later it also came to e known as Akashvani from 1957. AIR is serving as an effective medium to inform and educate people besides providing healthy entertainment. NETWORK At the time of Independence there were six radio stations. All India Radio presently has 197 radio stations including 184 full-fledged stations, ten relay centres, and three exclusive Vividh Bharati commercial centres. AIR presently has 305 transmitters. These include 145 medium-wave, 55 short-wave and 105 FM transmitters and provide radio coverage to a population of 97. 3 per cent spread over 90 per cent area of the country. MUSIC Music constitutes 40 per cent of the total programmes broadcast over AIR omprising classical, light, folk, film and music in the regional languages. National Programme of Music (Hindustani and Karnatic) are the prestigious programmes broadcast on every Saturday and Sunday. These programmes are broadcast live from the four metros. Keeping in view the Centenary celebration of eminent artists of music, viz. , Pt. Onkar Nath, Musari Subramanya Iyer and Dr Doraiswami Aiyengar, special programmes have been broadcast in the National Programme of Music. Akashvani Sangeet Sammelan – an annual affair is another musical treat to serious classical music listeners and lovers. About 50 concerts of both Karnatic and Hindustani ere featured at different places and the recordings were broadcast for over a month. AIR Music competitions is another regular feature towards searching new talents amongst youngsters. The competitions are held in different categories like classical (Hindustani and Karnatic both) instrumental, light for boys and girls. During 1998, music competitions were held at different stations of AIR in which 111 candidates participated and eight won the prizes. VIVIDH BHARATI AND COMMERCIAL BROADCASTING SERVICE Commercials were introduced on All India Radio from 1 November 1967 on Vividh Bharati. Now all the Primary Channel Stations, 30 Vividh Bharati entres, all Local Radio Stations and four FM Metro channels are taking Commercials. Commercials are also allowed over National Channel, New Delhi and the North-Eastern Service, Shillong. Vividh Bharati Service provides entertainment for more than 14 hours a day from 34 centres. The revenue earned by radio during 1 998-99 was Rs 92. 26 crore. Some innovative commercial broadcasting was introduced by AIR during 1998-99. AIR took over all the slots on 4 metro FM channels with effect from 26 June 1998 which were earlier allotted to private parties. At present all the 4 metro FM channels are being run by All India Radio through in-house programmes. AIR was able to market all the available ommercial time during the broadcast of 1998 Parliamentary elections results for about 72 hours. AIR also did the marketing of World Cup Cricket, 1999 through its own in-house arrangement. Efforts are being made to undertake extensive marketing of air time on all the channels of AIR. DRAMA More than 80 stations of AIR broadcast plays in various languages. Radio adaptations of outstanding novels, short stories and stage plays are also broadcast. Besides original plays, a large number of stations regularly broadcast family drama with a view to eradicate social evils. The National Programmes of plays is broadcast on every fourth Thursday of the month n Hindi and its regional versions are broadcast by relevant stations simultaneously. Special model plays of 30 minutes duration are produced at the Central Drama Unit at Delhi, which are broadcast by 33 stations of AIR in a chain of six months. All India Competition for Radio Playwrights is being organised in 15 major languages. All the prize-winning entries are translated in Hindi and then circulated to all stations for further translation and production in various languages. NEWS SERVICES DIVISION The News Services Division (NSD) of All India Radio disseminates news and comments to listeners in India and abroad. The history of news broadcasting in India is much older than that of All India Radio. The first ews bulletin went on the air from the Bombay station on 23 July 1927 under a private company, the Indian Broadcasting Company. The News Wing of All India Radio came into existence ten years later in August 1937. From 27 bulletins in 1939-40, AI R now puts out 314 bulletins daily withMass Communication a total duration of 39 hours and 29 minutes. Out of these, 88 bulletins are broadcast in the Home Services from Delhi with a duration of 12 hours and 05 minutes, while 42 Regional News Units originate 137 news bulletins daily with a duration of 18 hours and 01 minute. In the External Services, AIR broadcasts 65 bulletins for 8 hours and 59 minutes in 24 languages (Indian and foreign). The News Services Division has been putting out news headlines bulletins on the FM Channel since 28 May 1995. These are now available round-the-clock. AIR News on phone was introduced on 25 February 1998. The service provides the latest news highlights in Hindi and English on phone on dialing the specified numbers. AIR is now available on the Internet. AIR broadcasts special bulletins such as sports news, slow-speed bulletins and youth bulletins. Two youth bulletins are broadcast from Delhi in English and Hindi. AIR, Calcutta also broadcasts two youth bulletins in Bengali. During the Haj period, a five-minute Haj bulletin is aired from Delhi daily for the benefit of the pilgrims. Comments from the Press’ are broadcast every day. In addition, NSD puts out a number of news-based programmes and commentaries in English and Hindi. During Parliament Sessions, commentaries in Hindi and English reviewing the day’s proceedings in both Houses, are broadcast. Similarly, the RNUs p ut out reviews of the proceedings of their respective State Legislatures. The bulk of AIR news comes from its own correspondents spread all over the country. It has 90 regular correspondents in India and seven abroad at Colombo, Dhaka, Dubai, Pretoria, Kathmandu, Singapore and Islamabad. Apart from this, AIR has 246 part-time correspondents based at important istrict headquarters. AIR subscribes to the news agencies – UNI, PTI and their corresponding Hindi services – Univarta and Bhasha, and ANI to supplement its news sources. Other sources of news are the monitored reports from Monitoring Units (English and Hindi) attached to the General News Room and the Central Monitoring Services, which monitor the bulletins of major broadcasting organisations of the world. EXTERNAL SERVICES DIVISION The External Services Division (ESD) broadcasts programmes for about 70 hours a day in 25 languages (16 foreign languages and nine Indian languages) for listeners in different parts of the globe. The broadcast project the Indian oint of view on World Affairs through daily commentary and Press reviews and acquaint the overseas listeners with the developments in India along with information on the myriad facets of Indian life. The target areas of ESD span almost all the continents and include areas of East, North-East and South-East Asia, West, North-West and East Africa, Australia, New Zealand, United Kingdom, Europe and the Indian sub-continent. The services in Hindi, Tamil, Telugu and Gujarati are directed to Indians overseas, while those in Urdu, Bengali, Punjabi and Sindhi are meant for the listeners in the sub-continent and the bordering countries. During the year, due coverage was given to all conferences, seminars, ymposia and festivals of films and trade of National and InternationalMass Communication importance in the form of Radio reports and interviews besides, the visits of foreign dignitaries to India and of Indian dignitaries abroad. Special initiati ves were taken to give wide publicity to India’s geo-political compulsion for a nuclear and Agni-II test in view of the security environment in her immediate neighbourhood. ESD transmitters, also carry the 9 P. M. National bulletin in English, originally meant for Home Services. External Services Division continues to supply recordings of music, spoken word and other programmes to about hundred countries and foreign roadcasting organisations, under the Programme Exchange scheme. Introduction of internet broadcasting by AIR has enabled its listeners in various parts of the world like USA, Canada, West and South Africa to avail of AIR’s services on Internet. NATIONAL CHANNEL The National Channel was inaugurated on the 18 May 1988 and is located at the Jawaharlal Nehru Stadium, New Delhi. Presently, it works as a night service covering over 76 per cent of the population of the country and provides a judicious blend of information and entertainment. Having the whole of Ind ia as its zone, it draws the best available talent in the country. The programme complexion of the Channel has been designed to make it epresentative of the cultural mosaic and ethos of the nation as a whole. Programmes entitled Ek Kahani – dramatization of selected best short stories from regional languages and Basti Basti – Nagar Nagar to familiarise the people of other states with various tourist spots all over the country are being broadcast. Hourly news-bulletins, alternatively in Hindi and English, are broadcast from the National Channel throughout the night. Whenever the Parliament is in session, National Channel broadcasts recordings of the question hour for the benefit of the listeners. Sahargahi, a special early morning programme is broadcast from the National Channel in the holy month of Ramzan. CENTRAL MONITORING SERVICE The Central Monitoring Service (CMS) monitors news and news-based programmes of foreign radio and television networks. It also feeds the Newsrooms of AIR and Doordarshan with news flashes. During the year, the CMS on an average monitored about 100 broadcasts and 38 telecasts from 15 radio and three television networks every day in eight languages including one foreign language. The organisation brought out a report everyday containing all the material monitored on that day. Besides, the CMS brought out two weekly reports, a weekly analytical report giving an analysis of the important news of the week and a weekly special report on Kashmir ased on the anti-India propaganda of Pakistan’s radio and television networks on the Kashmir issue. The CMS has two field units—one at Jammu and the other in Calcutta. TRANSCRIPTION AND PROGRAMME EXCHANGE SERVICE Transcription and Programme Exchange Service (T&PES) consists of Sound Archives, Transcription Un it, Programme Exchange Unit, Foreign ProgrammeMass Communication Unit and Satellite Transmission Unit. The AIR archives store about 47,000 tapes of various formats which inlcude vocal and instrumental music of both Hindustani and Karnatic styles; light, folk, tribal and patriotic music of different regions and also orchestral compositions. Besides, the Archives has he voice recordings of distinguished personalities like Mahatma Gandhi, Rabindra Nath Tagore, Khan Abdul Ghaffar Khan, Subhas Chandra Bose, Sardar Vallabhbhai Patel, Dr B. R. Ambedkar, Pandit Jawaharlal Nehru, Sarojini Naidu, Aruna Asaf Ali and many others. Apart from this, the speeches delivered by all the Presidents and the Prime Ministers are also preserved in the Archives. Recordings from the Archives are now being transferred to compact discs which will replace the tapes now being used. So far, 235 CDs of spoken word and music have been prepared. This year the Archives has helped prepare a CD/Cassette consisting of v oice recordings of Rabindranath Tagore and a ocumentary on Rabindranath Tagore produced by Satyajit Ray. This along with a monograph on Tagore which has been jointly produced by AIR and Vishwa Bharati, has been released by the Prime Minister in Calcutta on 20 May 1999. Project on Data Entry updating tapes of PMs and Presidents has been completed and work on Hindustani and Karnatic music is in progress. It has added to its collection 125 tapes which include, among others, the radio autobiography of Shiv Mangal Singh ‘Suman’ and Milkha Singh. The Programme Exchange Unit (PEU) exchanges good quality programmes among the AIR stations as per their requirements in its library. Approximately 8,000 tapes containing the recordings of music and spoken ord programmes are preserved, among them are the Ramcharit Manas Gaan and award winning programmes of Akashvani Annual Awards and the language lessons in Bengali, English, Gujarati, Kannada, Malayalam, Marathi, Oriya, Sanskrit, Tami l and Telugu. A bi-monthly bulletin Vinimaya is published from T&PES giving details of available foreign programmes, Karnatic and Hindustani music (vocal and instrumental) and other forms of musical programmes, viz. , orchestral compositions, stage songs, folk and tribal music, etc. , and spokenword programmes, i. e. , features, plays, talks, opera and interviews, etc. , for circulation among the AIR stations. It also gives daily information regarding ur satellite transmission to meet the requirements of the stations. Transcription unit procures from AIR stations and News Services Division, all the speeches delivered by the President and the Prime Minister in different parts of the country and abroad. The unit received 117 such speeches delivered from January to November 1998. Central Tape Bank (CTB) looks after the needs of AIR stations for exchanging good programmes among the stations. CTB has 76,000 number of tapes circulated among 194 AIR stations. The Foreign Programme Unit pro cures the best of the programme material from different countries for All India Radio. During 1998 the foreign nit of T&PES received 438 programmes from SAARC Secretariat, France,Mass Communication Germany, Bulgaria, World Radio, Beijing, Sweden, Australia, United Nations. These programmes are screened and circulated to stations in Audio magnetic tapes and through INSAT 2C and INSAT 2C 3. T&PES has a satellite transmission on RN Channels of INSAT-1D and RN Channels of INSAT-2A. A total of 500 programmes transmitted through these channels were recorded by different AIR stations for future use. FARM AND HOME PROGRAMMES Farm and Home units function at various stations of AIR. The average duration of farm and home broadcasts is 60-100 minutes per day from each station. The broadcasts also include programmes for rural women and rural children. Broadcast of mother and child care series in collaboration with UNICEF and State governments has been undertaken by many AIR stations. The main thrust has been on issues relating to rights of the child, gender bias and child abuse, etc. Environmental Protection programmes receive adequate emphasis in these broadcast to retain ecological balance. â€Å"Farm school on air† as a method of communicating distant education on farming has been adopted by many AIR stations. Besides imparting technical and other information, the thrust of the broadcasts are : (i) dissemination of information relating to ways and means for increasing roduction of cereals, oilseeds, pulses, vegetables, fruits, etc. ; (ii) diversification of agriculture, social forestry, preservation of environment and farm forestry; (iii) poverty alleviation schemes, health and sanitation, etc. ; (iv) adult education programmes and (v) role of pan chayats in rural development. The programmes also lay emphasis on the various economic measures taken by the Government, aimed at rural development. FAMILY WELFARE PROGRAMMES AIR Stations broadcast more than 10,000 programmes on Family Welfare every month in all the major languages/dialects of our country. Programmes on AIDS, TB, Dengue, Sexually Transmitted Diseases, water borne diseases, alaria eradication programme, child survival and safe motherhood programme, sterilization, vasectomy, tubectomy, etc. , are broadcast under the title of family welfare programmes. Success stories are also broadcast regularly. SPORTS During 1998-99, AIR provided extensive coverage to the National and International Sporting events held in India and abroad. Major international events covered were the World Cup Hockey Tournament at Utrecht, Asian Games at Bangkok, Commonwealth Games at Kuala Lumpur, World Cup Cricket Tournament in the UK and the Wimbledon Tennis Championship in London. AIR also encour ages traditional games like Kabaddi, Kho-Kho, etc. , hrough broadcast or running commentary in order to popularise them among the youth of the country and to foster sports talents in the domain of traditional sports and games. Mass Communication AKASHVANI ANNUAL AWARDS All India Radio presents Akashvani Annual Awards to outstanding broadcasts for every calendar year in different disciplines and subjects. Special prizes, Lassa Kaul Awards on National Integration and ‘Correspondent of the Year’ for excellence in News Reporting are also awarded. There is also an award for a special topic documentary. This year’s subject is ‘Senior Citizen’. An award at national level is given to the Best Choral Singing Group (Senior nd Junior Groups) for a competition held for children at various regional centres. An award for â€Å"Audience Research/Survey Reports† has also been introduced from 1995. AIR also awards the Best Commercial Broadcasting Service Centr e and awards for Technical Excellence. DOORDARSHAN Doordarshan, the national televison service of India devoted to public service broadcasting is one of the largest terrestrial networks in the world. The flagship of Doordarshan—DD-1—operates through a network of 984 terrestrial transmitters of varying powers reaching over 87 per cent of the population. There are 57 additional transmitters giving terrestrial support to other channels. Doordarshan uses a large number of transponders on he Indian National Satellites (INSAT) and other satellites to network its terrestrial transmitters and also to extend coverage. The signals of Doordarshan’s International service could be received in most part of the globe. Doordarshan has established programme production facilities in 46 cities across the country. Doordarshan programmes are watched in India by 360 million viewers in their homes. Doordarshan earned around Rs 4 billion during the financial year 1998-99 through commer cial advertisements. THE EARLY YEARS The first telecast originated from a makeshift studio in the Akashvani Bhavan, New Delhi on 15 September 1959. A transmitter of 500 W power arried the signals within a radius of 25 km from Delhi. The regular service with a News bulletin was started in 1965. Television went to a second city, Mumbai, only in 1972, and by 1975 Calcutta, Chennai, Srinagar, Amritsar and Lucknow also had television stations. SITE The first experiment with satellite technology in India, known as the Satellite Instructional Television Experiment (SITE), was conducted in 1975-76. This was, incidentally, the first attempt anywhere in the world of using the sophisticated technology of satellite broadcasting for social education. The year 1982 witnessed the introduction of a regular satellite link between Delhi nd other transmitters, the starting of national programme and the era of colour television in the country. The Asian Games held in Delhi that year acted as the major impetus for bringing out these changes within a short period. After 1992, television facilities have been rapidly expanding and during certain periods the country got an additional transmitter every day. In theMass Communication decade 1981-90, the number of transmitters increased from 19 to 519. THREE-TIER SERVICE Doordarshan has a three-tier primary programme service—national, regional and local. In the national programmes the focus is on the events and issues of interest to the whole nation. These programmes include news, current ffairs, science, cultural magazines, documentaries, serials, music, dance, drama and feature films. The regional programmes originating from the State capitals and relayed by all transmitters in the respective State telecast programmes of interest at the State level, in the language and idiom of that particular region. The local programmes are area-specific and cover local issues featuring local people. INFORMATION PROGRAMMES On the National Netwo rk news bulletins are telecast in Hindi and English at regular intervals. All the major Kendras telecast news bulletins in the evenings in their respective languages where the regional events are covered in greater detail. Some Kendras telecast regional news in Urdu also. Doordarshan has a number of programmes on current affairs where topical issues are discussed in-depth, bringing out the various viewpoints. Information programmes also include telecast on agriculture, rural development, health, family welfare, consumer’s rights, environment, etc. There are programmes specially targeted for women, children and youth. Doordarshan brings to its viewers all the major national and international sports and games through live telecast. There are other programmes on sports, including interviews with eminent sports persons, sports education, etc. Doordarshan also has an exclusive sports channel. EDUCATIONAL TV The educational programmes are at different levels ranging from basic health education for the not-so-well-educated to the higher education programmes for university students. In 1961 India’s first school television service was commissioned at Delhi for the institutions run by the Delhi Municipal Corporation. ETV programmes for school children are telecast from a number of regional Kendras in different languages covering both formal and informal education. The software for these programmes are produced by the Central Institute for Education Technology in Delhi and State Institutes of Education Technology of different Centres. To put quality education within the reach of students residing even n small villages and towns, the University Grants Commission, has a countrywide classroom telecast on the national network. Besides this, syllabus-based programmes for the students of Indira Gandhi National Open University are also being telecast on the national network. ENTERTAINMENT The entertainment programmes include music, dance, plays and serials. Mass Communication Feature films and programmes based on excerpts from feature films are also telecast on the national network and from the regional kendras. METRO CHANNEL In 1984 a second channel was added in Delhi to provide an alternative viewing to the heterogeneous metropolitan population. Later, similar acilities were provided to viewers in Mumbai, Calcutta and Chennai. In 1993 these four terrestrial transmitters were linked through satellite to provide an exclusive entertainment channel for the urban audience. This service, known as DD-2 Metro Entertainment Channel, is now available terrestrially in 54 cities. In other parts of the country the programmes of this channel could be received through dish antennas or through cable operators. The metro channel targets the younger viewers in urban areas. REGIONAL LANGUAGE CHANNELS To provide additional software in the major languages of the country, some of which are spoken by more than 50 million people, Doordarshan has 11 regional language satellite channels. The programmes on these channels include the regional service, which is available terrestrially in the concerned state and additional programmes which could be received in the satellite mode. These programmes are carried on the INSAT satellite which has footprint over the entire country and the regional language programmes could be watched by people irrespective of their place of residence. INTERNATIONAL CHANNEL Doordarshan-India, the international channel, is in operation from 1995 and reaches about 50 countries in Asia, Africa and Europe through PAS-1 and USA and Canada through PAS-4 and PAS-1 satellite. It is presently on the air for 19 hours each day. AUDIENCE RESEARCH The Audience Research Unit of Doordarshan, manned by professional researchers, is involved in studies on the various aspects of broadcasting. It also operates a system of getting ratings on Doordarshan programmes each week. Audience Research is also monitoring the voluntary feedback from viewers and maintains Data Banks at the national and kendra level. VIEWERSHIP Over the years Doordarshan’s viewership has increased phenomenally and now an estimated 69 million homes have televisioin sets which mean that 362 million people can watch Doordarshan programmes in their homes. Community TV sets have been established under various schemes operated by Central and State governments. In rural areas most of the privately-owned sets also act as community sets, attracting a number of viewers from nonTV homes and the total number who watch Doordarshan at least once in a week exceeds 500 million. In the last four years programmes of commercial channels operating from outside India are available for some sections of the population, but Doordarshan has retained more than 70 per cent of the totalMass Communication viewership in urban areas and more than 90 per cent of the viewership in the rural areas in most of the States. PRASAR BHARATI All India Radio and Doordarshan functioned as departments under the Ministry of Information and Broadcasting. There were persistent demands that the electronic media should be free from Government control and they should have autonomy in their functioning. The Parliament had passed an Act to give autonomy to the media in 1990 itself, but at that time the Act was not notified. In 1997 the Government decided to notify this Act and Prasar Bharati, the autonomous Broadcasting Corporation of India, came into existence on 23 November 1997. A Board consisting of a chairman, an executive member and a number of part-time, full-time, ex-officio and elected members is to manage the affairs of Prasar Bharati. There is also to be a representative of the Government of India on the Board. PRESS AND PRINT MEDIA REGISTRAR OF NEWSPAPERS FOR INDIA Registrar of Newspapers for India (RNI), commonly known as Press Registrar came into being on 1 July 1956. Besides, the statutory functions, the Registrar recommends import of printing machinery and allied materials for newspapers. The duties and functions of the Press Registrar are defined in the Press and Registration of Books Act, 1867 and rules made thereunder as amended from time to time. As on 31 December 1998, the total number of newspapers and periodicals was 43,828 as compared to 41,705 in 1997. There were 4,890 dailies, 331 tri/bi-weeklies,15,645 weeklies, 12,065 monthlies, 5,913 fortnightlies, ,127 quarterlies, 383 annuals and 1,474 publications with periodicities like bi-monthlies, half-yearlies, etc. Newspapers were published in as many as 100 languages and dialects during 1998. Apart from English and 18 principal languages enumerated in the Eighth Schedule of the Constitution, newspapers were published in 81 other languages, mostly Indian languages or dialects and a few foreign languages. The highest number of newspapers were published in the Hindi language. Daily newspapers were brought out in 18 principal languages and Kashmiri was the only principal language that did not have a daily newspaper. Newspapers were published from all States and Union Territories. Uttar Pradesh with 7,895 newspapers retained the prestigious position of publishing the largest number of newspapers in India. In the case of dailies also, Uttar Pradesh held the top position with 805 dailies. Bombay Samachar a Gujarati daily published from Mumbai is the oldest existing newspaper. In 1998, the total circulation of Indian Press was 12,68,49,500 copies. The Anand Bazar Patrika, Bengali daily from Calcutta with a circulation of 5,86,637 copies was the largest circulated single edition newspaper. The Times of India, an English daily from Mumbai which had a circulation of 5,66,378 copies stood second. Hindustan Times, English Daily from Delhi with aMass Communication irculation of 5,55,911 copies occupied third position. The Times of India having six editions in English with a circulation of 13,90,827 copies occupied first position among multi-edition dailies during 1998. The Malayala Manorama published with eight editions in Malayalam with a total combined circulation of 11,23 ,745 copies stood second. Gujarat Samachar with five editions in Gujarati occupied third position with a total circulation of 8,59,015 copies. Among periodicals, Malayala Manorama, a Malayalam weekly published from Kottayam was the largest circulated periodical with 11,58,108 copies. Saras Salil, Hindi Fortnightly from Delhi with a circulation of 9,32,753 copies ccupied the second position. TABLE 11. 1 : NUMBER OF NEWSPAPERS IN 1998 (LANGUAGE AND PERIODICITY-WISE) Languages Dailies Tri/Bi- Weeklies Fort- Monthlies Quarterlies Bi-monthlies Annuals Total weeklies nightlies Halfyearlies English 353 29 835 635 2,606 1,172 734 153 6,517 Hindi 2,202 125 9,062 2,741 2,960 544 173 29 17,836 Assamese 14 3 73 38 57 12 10 1 208 Bengali 96 14 580 463 661 441 156 14 2,425 Gujarati 106 8 565 161 455 57 43 13 1,408 Kannada 290 6 337 217 542 43 17 3 1,455 Kashmiri 0 0 1 0 0 0 0 0 1 Konkani 1 0 3 1 1 0 0 0 6 Malayalam 208 5 167 152 712 54 23 8 1,329 Manipuri 12 0 6 5 9 6 3 0 41 Marathi 302 20 870 16 1 451 100 39 103 2,046 Nepali 3 2 14 6 8 16 5 0 54 Oriya 68 2 132 81 260 85 23 4 655 Punjabi 106 15 332 83 231 31 18 1 817 Sanskrit 3 0 8 4 16 13 6 0 50 Sindhi 10 0 35 11 35 8 2 0 101 Tamil 344 43 391 220 717 27 20 7 1,769 Telugu 129 3 236 178 453 24 10 2 1,035 Urdu 509 20 1,290 356 496 56 15 3 2,745 Bilingual 65 19 534 311 1,082 327 135 31 2,504 Multilingual 15 4 92 60 197 64 31 11 474 Others 54 13 82 29 116 47 11 0 352 Total 4,890 331 15,645 5,913 12,065 3,127 1,474 383 43,828 PRESS INFORMATION BUREAU The Press Information Bureau (PIB) is the nodal agency of the GovernmentMass Communication to disseminate information to the print and electronic media on government olicies, programmes, initiatives and achievements. Functioning as an interface between the Government and the media, the PIB also provides feedback to the Government with people’s reaction as reflected in the media. With its eight Regional Offices and 32 Branch Offices and Information Centres, the PIB disseminates information through dif ferent modes of communications, such as press releases, press notes, feature articles, backgrounders, press briefings, interviews, press conferences and press tours, etc. The information material released in Hindi, Urdu and 13 other regional languages reaches to over 7,000 newspapers and media organisations. The Bureau at headquarters has a team of officers who are exclusively attached to various ministries and departments for the purpose of assisting them in disseminating information to the media. They also provide feedback to their respective ministries and departments. As part of the Special Services, the Feedback Cell in the PIB prepares a daily digest and special digests based on news stories and editorials from national as well as regional dailies and periodicals. The Feature Unit of the Special Services of the Bureau provides backgrounders, updates, features and graphics. These are circulated in the national network and also sent to the Regional and Branch Offices or translation and circulation to the local Press. PIB arranges photo coverage of Government activities and the photographs are supplied to dailies and periodicals published in English and other Indian languages all over the country. During 1998-99, 2,78,485 photographs were supplied to the newspapers and periodicals. Th e PIB is linked with 30 of its Regional and Branch Offices over computer network to facilitate speedy feeding of information. The Bureau has a Home Page on Internet which makes available publicity material such as press releases, features, photos and graphic for international consumption. The PIB internet home page is accessible at website www. nic. in/IndiaImage/PIB. The press releases from the Bureau are also faxed through computers to local newspapers as well as all resident correspondents of the important outstation newspapers. PIB has started photo transmission by computer to its offices. PIB is connected to its 22 regional-centres by video conferencing system. This enables media persons at regional centers to participate in press conferences in New Delhi and also in other parts of the country. PIB provides accreditation facility to media persons so as to make easy access to information from the government sources. 1,006 correspondents and 226 cameramen are accredited with the Bureau’s headquarters. Besides, bout 133 technicians and 56 editors/media critics have also been granted these professional facilities. The Bureau’s eight Regional Offices are located at Mumbai, Chennai, Chandigarh, Calcutta, Lucknow, Guwahati, Bhopal and Hyderabad. All the Regional Offices, Branch Offices and information centres are linked with PIB headqu arters by teleprinter also. A National Press Centre set up in the Press Information Bureau, New Delhi serves as a nerve centre for both nationalMass Communication and international Press. The Centre has all the facilities of international standards like a telecommunication centre, a press conference hall and a cafeteria. NEWS AGENCIES PRESS TRUST OF INDIA India’s largest news agency, Press Trust of India is a non-profit sharing cooperative owned by the country’s newspapers with a mandate to provide efficient and unbiased news to all its subscribers. Founded on 27 August 1947, PTI began functioning from 1 February 1949. PTI offers its news services in the English and Hindi languages. Bhasha is the Hindi language news service of the agency. PTI subscribers include 450 newspapers in India and scores abroad. All major TV/Radio channels in India and several abroad, including BBC in London, receive PTI service. The news services are provided at speeds up to 1,200 bits per second (about 1,400 words per minute) by satellite, data channels and ticker lines. PTI is now on the Internet too and its website address is: http:/ www. ptinews. com. With a staff of over 1,500 including 400 journalists, PTI has over 100 bureaux across the country and foreign correspondents in major cities of the world including Beijing, Bonn, Cairo, Dhaka, Islamabad, London, Moscow, New York and Washington. In addition, about 300 stringers contribute to the news file at home while 20 part-time correspondents bring news from the rest of the world. Besides the English and Hindi language news services, the other services of the agency include the on-line Photo Service, mailer packages of Feature, Mag, Graphics, Science Service, Economic Service and Data India, nd screen-based services as News-scan and Stockscan. PTI has a television wing, PTI -TV, whi ch provide s spot cove rage and make s corporat e documentaries on assignment basis. PTI has arrangements with Reuters and AFP for distribution of their news in India and with the Associated Press for its photo service and international commercial information. PTI is a partner in Asia Pulse International, a Singapore-registered company, formed by PTI and five other Asian media organisations to provide an on-line data bank on economic developments and business opportunities in Asian countries. PTI is also a participant in Asianet, a cooperative arrangement among 12 news agencies f the Asia-Pacific region for distribution of the corporate and government press releases. PTI is a leading partner in the Pool of News Agencies of the NonAligned Countries and the Organisation of Asia-Pacific News Agencies. The agency contributes its news to these two news exchange arrangements and in turn receives news from the other participating members for its use. PTI has just completed 50 years of its operations. The DepartmentMass Communication of Posts brought out a special 15-rupee multi-colour, multi-lingual stamp on PTI to mark its golden jubilee. President K. R. Narayanan released the stamp on 5 March 1999. An other highlight of the celebrations was a 2- ay international seminar on media issues in New Delhi on 12 and 13 March 1999 which was inaugurated by Prime Minister Atal Bihari Vajpayee and attended by a galaxy of media personalities both from India and abroad. UNITED NEWS OF INDIA United News of India (UNI) was registered as a company in 1959 and began its news operations from 21 March 1961. UNI is now one of the largest news agencies in Asia with over 100 bureaux in India and abroad. It has more than 1,000 subscribers in the country and over 30 abroad. Its news service is provided to subscribers in four Gulf countries as well as Mauritius and Bhutan. It has reporters in 400 big and small towns in India. Its orrespondents are located in a number of world capitals also. UNI also has collaboration with a number of foreign news agencies. It has more than 300 journalists working full time and about 400 as stringers. UNI launched a full-fledged Indian language news service Univarta, in Hi ndi in May 1982. A decade later, it launched Urdu Service on teleprinter for the first time in the world. Other teleprinter services of the news agency include UNIFIN, a specialised service for banking, financial and commercial organisations as well as UNISTOCK, a service for stock exchanges and stock brokers. In July 1986, UNI started its television wing which provides news eatures, newsclips and documentaries for Doordarshan and other organisations. Another specialised service run by the news agency is UNISCAN, a news service fed into television sets. A national photo service, started in 1987, is another pioneering venture. UNI also supplies computerdesigned graphics in ready-to-use-form on economic and other topical subjects on a regular basis. NON-ALIGNED NEWS AGENCIES POOL The Non-Aligned News Agencies Pool (NANAP) is an arrangement for exchange of news among the news agencies of non-aligned countries who for long have been victims of imbalances and bias in the flow of news. Th e Pool came into existence in 1976 with India as its first Chairman (1976-79). The Pool is a worldwide operation embracing four continents, viz. , Asia, Europe, Africa and Latin America. The Pool news is exchanged in four languages—English, French, Spanish and Arabic. Pool activities are coordinated by an elected body known as the Coordinating Committee with a Chairman as its head. The Chairmanship, is co-terminus with the tenure of the Coordinating Committee and goes by rotation. The Chairman and members of the Coordinating Committee are elected on the basis of regional representation, continuity, active participation and rotation. The Coordinating Committee meets once a year and the meetings are open to all member agencies. Mass Communication Advt. Mass Communication Six General Conferences and 17 meetings of the Coordinating Committee have taken place since the inception of the Pool. The last General Conference of the Pool was held in Tehran in June 1992, when the Iranian news agency IRNA assumed the Chairmanship of the Pool from ANGOP of Angola. The countries elected to the Coordinating Committee in Tehran were India, Indonesia, Vietnam, DPR Korea, Kuwait, Syria, Mongolia, Bahrain, Afghanistan, Lebanon and Oman from Asia; Angola, Algeria, Burkina Faso, Congo, Ethiopia, Egypt, Ghana, Guinea-Bissau, Morocco, Mozambique, Namibia, Senegal, Sudan, Tanzania, Tunisia and Zambia from Africa; Yugoslavia from Europe; and Bolivia, Cuba, Ecuador, Mexico, Peru, Surinam and Venezuela from Latin America. At the Tunis General Conference of the Pool in November 1982 a resolution was adopted to form a Monitoring Group, for closer review and monitoring of the Pool operations. The Monitoring Group was last reconstituted in Tehran in 1992 when Malaysia, India, Indonesia, Nigeria, Libya, Zimbabwe, Mexico, Peru, Cuba and Yugoslavia were elected to it. India has played a vital role in the creation and expansion of the Pool. India News Pool Desk is operated by Press Trust of India. The agency receives news copy from Pool Partners and in turn contributes Indian news nto the exchange arrangement on a daily basis. The incoming news traffic from Pool member agencies into PTI is in the range of about 15,000 words per day. PTI’s contribution into the network is about 7,000 words per day. The news is exchanged through a network of statellite/terrestrial/E-mail communication links with Antara (Indonesia) , Bernama (Malaysia), Lankapuvath (Sri Lanka), GNA (Bahrain), VNA (Vietnam), Prensa Latina (Cuba), Tanjug (Yugoslavia), BSS (Bangladesh), RSS (Nepal), MENA (Egypt) and NAMPA (Namibia). Leading national dailies of the country publish between 20 to 30 Pool items a month. As part of the News Pool operation, the Indian Institute of Mass Communication, New Delhi, which is recognised as a premier institute for training in journalism in the Non-Aligned countries, has been offering a regular course in News Agency Journalism. The five-month twice a year course is popular with journalists belonging to the member agencies of the Pool. PRESS COUNCIL OF INDIA The Press Council of India has been established under an Act of Parliament for the purpose of preserving the freedom of the press and of maintaining and improving the standards of newspapers and news agencies in India. The Chairman of the Council is by convention, a retired judge of the Supreme Court of India. The Council has 28 members – 20 from the newspaper world, ive are Members of Parliament (three nominated by the Speaker of the Lok Sabha and two by the Chairman of the Rajya Sabha) and remaining three are nominated by the Sahitya Academy, the Bar Council of India and the University Grants Commission. The Council is reconstituted every three years. The Counc il has its own source or revenue in that it collects levy from the registered newspapers and news agencies. It also receives grantin-aid from the Central Government for performing its functions. Mass Communication As an autonomous quasi-judicial body, the aim of the Press Council is to administer ethics and to inculcate principles of self-regulation among the Press. It also keeps under review any development likely to interfere with the freedom of the Press. The Council discharges its functions primarily through adjudications on complaint cases received by it, either against the Press for violation of journalistic ethics or by the Press for interference with its freedom, where the Council is satisfied during the inquiry that a newspaper or a news agency has offended against the standards of journalistic ethics or public taste or that an editor or working journalist has committed any professional misconduct, the Council may warn, admonish or censure them or disapprove of their conduct. The Council is also mpowered to make such observations as it may think fit in respect of the conduct of any authority, including Government, for interfering with the freedom of the press. The decisions of the Council are final and cannot be questioned in any court of law. During 1998-99, the Press Council of India received 1,213 complaints of which 361 were filed b y the Press and 852 were against the Press. The Council adjudicated 342 cases. 575 cases were dismissed by the Council for lack of sufficient grounds for inquiry. The Council disposed of 917 matters during 1998-99. The Council has also suo moto initiated studies on various matters that had bearing on the freedom of the Press and its standards. During 998-99 the Council prepared a report on â€Å"Right to Privacy of Public Figures and the Press† and formulated guidelines to achieve a balance between the right to privacy of public persons and right of the Press to have access to information of public interest and importance. The Council also prepared a report on Press Coverage of the 12th General Elections on 2 June 1998 which gave an overview as to how the Press covered election news. In its advisory capacity, the Council considered and rendered its opinion to various authorities and organisations in matters relating to Press freedom. The Press Council of India is an active me mber of the World Association of Press Council (WAPC), an umbrella organisation of Press Councils and similar bodies committed to championing the cause of free speech and freedom of responsible Press on international level. The Council organised the 5th International Conference of World Association of Press Councils on 4-5 April 1998 in New Delhi to mark the 50th year of Independence. Approximately 40 representatives of International Media/ Press Organisations of 19 countries attended the Conference apart from 200 distinguished Indian participants. The National Press Day (16 November) celebrations this year were dedicated to the memory of late Nikhil Chakravartty, a renowned journalist ho was also a member of the Council. On 16-17 November 1998 the Council organised a two-day Nikhil Chakravartty Memorial Seminar. The Seminar was also attended by prominent-media representatives from the SAARC countries. The National Press Day celebrations were organised atMass Communication the state/district level by authorities, press organisations and associations throughout the country. RESEARCH REFERENCE AND TRAINING DIVISION The Research, Reference and Training Division (RR&TD) functions as an information servicing agenc